Abstract

Critognatus’ speech has long been recognized as heavily by Caesar's hand, although few have questioned whether any speech was delivered by the Arvernian noble at all; and it has long puzzled readers with its contradictory manner and fierce criticism of Rome. But the etymologizing wordplay across several languages demonstrated below (along with other distinctly comical elements) renders it more than likely that both the speech and the speaker are products of the author's imagination. In its Nabokovian mode, it offers a glimpse of Caesar the linguist and introduces a playfulness into the dire situation before Alesia that suggests that the ‘Barley-Muncher’ and his speech should be reconsidered in a different, more humorous light.