The Impact of Mixed Emotions on Creativity in Negotiation: An Interpersonal Perspective

Frontiers in Psychology 9:411603 (2019)
  Copy   BIBTEX

Abstract

Creativity is critical to organizational success. Understanding the antecedents of creativity is important. Although there is a growing body of research on how (mixed) emotions affect creativity, most of the work has focused on intrapersonal processes. We do not know whether contrasting emotions between interacting partners (i.e., interpersonal mixed emotions) have creative consequences. Building on information processing theories of emotion, our research proposes a theoretical account for why interpersonal mixed emotions matter. It hypothesized that mixed- (vs. same-) emotion interactions would predict higher collective creative performance. We tested the hypothesis in two-party integrative negotiations (105 dyads). We manipulated negotiators’ emotional expressions (angry-angry, happy-happy, angry-happy dyads) and measured the extent to which they generated creative solutions that tapped into hidden integrative potential in the negotiation for a better joint gain. The results overall supported the hypothesis: i) there was some evidence that mixed-emotion dyads (i.e., angry-happy) performed better than same-emotion dyads; ii) mixed-emotion dyads, on average, achieved a high level of joint gain that exceeded the (non-creative) zero-sum threshold, whereas same-emotion dyads did not. The findings add theoretical and actionable insights into our understanding of creativity, emotion, and organization behavior.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 93,745

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Hope and fear in the experience of suspense.Robert Madrigal, Colleen Bee & Johnny Chen - 2022 - Cognition and Emotion 36 (6):1074-1092.

Analytics

Added to PP
2019-01-12

Downloads
17 (#213,731)

6 months
7 (#1,397,300)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

The associative basis of the creative process.Sarnoff Mednick - 1962 - Psychological Review 69 (3):220-232.
Self-discrepancy: A theory relating self and affect.E. Tory Higgins - 1987 - Psychological Review 94 (3):319-340.
The experience of emotion.Lisa Feldman Barrett - 2005 - In Lisa Feldman Barrett, Paula M. Niedenthal & Piotr Winkielman (eds.), Emotion and Consciousness. New York: Guilford Press.
Feelings and phenomenal experiences.Norbert Schwarz & Gerald L. Clore - 1996 - In Norbert Schwarz & Gerald L. Clore (eds.), Social Psychology: Handbook of Basic Principles. Guilford Press. pp. 2--385.

View all 7 references / Add more references