Aesthetics And Popular Art: An Interview With Aaron Meskin

Postgraduate Journal of Aesthetics 7 (2):1-9 (2010)
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As is usually the case with what I work on, I read some stuff I liked. I 1 read an article on comics by Greg Hayman and Henry Pratt and some work on 2 videogames,GrantTavinor’sreallyexcellentworkonthattopic. Ifoundthematerial interesting and I thought I had something to say about it. That’s what usually motivates me and that’s what did in these cases. With comics, my interest in the medium played a big role. I was a child collector of Marvel. I got turned on to independent and alternative comics about ten years ago by a good friend who’s a successful comics artist and that played a role in my writing about comics.



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Similar books and articles

Comics as literature?Aaron Meskin - 2009 - British Journal of Aesthetics 49 (3):219-239.
Trash, Art, and the Comics.John Dyck - forthcoming - Canadian Journal of Philosophy:1-9.
The Philosophy of Comics.Aaron Meskin - 2011 - Philosophy Compass 6 (12):854-864.
Comics and Collective Authorship.Christy Mag Uidhir - 2012-01-27 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics. Wiley‐Blackwell. pp. 47–67.
Rorschach tests and Rorschach vigilantes.Katherine Hubbard & Peter Hegarty - 2017 - History of the Human Sciences 30 (4):75-99.
Redefining Comics.John Holbo - 2012-01-27 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics. Wiley‐Blackwell. pp. 1–30.


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Aaron Meskin
University of Georgia

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