Abstract

Karl Leonhard Reinhold’s and Friedrich Schiller’s conception of drive can be interpreted as a systematic response to an ambivalence in Kant’s conception of drive and driving force, which he associates with heteronomy and autonomy. Reinhold distinguishes between a selfish and an unselfish drive. In doing so, he revaluates the drive as something that is compatible with our freedom of the will. Both drives are the vital basis of our free decision and therefore united. Schiller distinguishes between three kinds of drive. The object of the form-drive is the Gestalt of the world, its intelligible structure and necessity, whereas the object of the material drive is the human life and its sensual reality. In opposition to Reinhold, Schiller introduces a third drive that he calls the “play drive”. However, it is not an instance additional to the material and form-drive, but rather designates the harmony of both drives.