A Film-Philosophy of Ecology and Enlightenment

Routledge (2018)
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Abstract

Introduction: film as freedom: the meaning of film as philosophy -- Implicating the narrator, implicating the audience: Waltz with Bashir and Apocalypto -- How to represent a past we would rather forget: Hiroshima mon amour and Last year at Marienbad -- Learning from conceptually impossible versions of our world: Never let me go and The road -- When melancholia is exactly what is called for: Melancholia and Solaris -- Gravity's arc; or gravity: A space odyssey -- The fantasy of absolute safety through absolute power: The lord of the rings trilogy and Avatar -- Conclusion: what have we learnt?

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Rupert Read
University of East Anglia

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