A Dramatic Approach to the Self-Concept: Intelligibility and the Second Person

Human Studies 44 (1):87-102 (2021)
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Abstract

Recent works on narrative self-concept still do not pay enough attention to how a person’s actions influence her narration. Narrative structures may enable the subject to give meaning and continuity over time to her experience. But also, a person’s behavior can make sense of her self-concept. From this perspective, the Narrative Identity Theory might be insufficient for addressing the challenge of making sense of the subject’s actions during the interaction itself. The Dramatic Identity Theory's proposal can complement the Narrative Theory on such points. Accordingly, this work will explore the relationship between these two theories in order to explain how the Dramatic Identity Theory can solve these problems, with a proposal based on the analogy between a theater actor’s performance and the subject's actions.

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2021-02-04

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Mercedes Rivero
Universidad Carlos III de Madrid

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References found in this work

The Constitution of Selves.Marya Schechtman (ed.) - 1996 - Ithaca, NY: Cornell University Press.
The mess inside: narrative, emotion, and the mind.Peter Goldie - 2012 - Oxford: Oxford University Press.
Direct perception in the intersubjective context.Shaun Gallagher - 2008 - Consciousness and Cognition 17 (2):535-543.
How We Get Along.James David Velleman - 2009 - New York: Cambridge University Press. Edited by J. David Velleman.
The Constitution of Selves.Christopher Williams & Marya Schechtman - 1998 - Philosophical Review 107 (4):641.

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