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Peter Goldie [81]Peter L. Goldie [1]
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Profile: Peter Goldie (Manchester)
  1. The Emotions: A Philosophical Exploration.Peter Goldie - 2000 - Oxford University Press.
    Peter Goldie opens the path to a deeper understanding of our emotional lives through a lucid philosophical exploration of this surprisingly neglected topic. Drawing on philosophy, literature and science, Goldie considers the roles of culture and evolution in the development of our emotional capabilities. He examines the links between emotion, mood, and character, and places the emotions in the context of consciousness, thought, feeling, and imagination. He explains how it is that we are able to make sense of our own (...)
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  2.  5
    The Emotions: A Philosophical Exploration.Bennett W. Helm & Peter Goldie - 2002 - Philosophical Review 111 (1):132.
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  3.  68
    The Mess Inside: Narrative, Emotion, and the Mind.Peter Goldie - 2012 - Oxford University Press.
    Narrative thinking -- Narrative thinking about one's past -- Grief : a case study -- Narrative thinking about one's future -- Self-forgiveness : a case study -- The narrative sense of self -- Narrative, truth, life, and fiction.
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  4. Seeing What is the Kind Thing to Do: Perception and Emotion in Morality.Peter Goldie - 2007 - Dialectica 61 (3):347-361.
    I argue that it is possible, in the right circumstances, to see what the kind thing is to do: in the right circumstances, we can, literally, see deontic facts, as well as facts about others’ emotional states, and evaluative facts. In arguing for this, I will deploy a notion of non‐inferential perceptual belief or judgement according to which the belief or judgement is arrived at non‐inferentially in the phenomenological sense and yet is inferential in the epistemic sense. The ability to (...)
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  5. Empathy: Philosophical and Psychological Perspectives.Amy Coplan & Peter Goldie (eds.) - 2011 - Oxford University Press UK.
    Empathy has for a long time, at least since the eighteenth century, been seen as centrally important in relation to our capacity to gain a grasp of the content of other people's minds, and predict and explain what they will think, feel, and do; and in relation to our capacity to respond to others ethically. In addition, empathy is seen as having a central role in aesthetics, in the understanding of our engagement with works of art and with fictional characters. (...)
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  6.  71
    Getting Feelings Into Emotional Experiences in the Right Way.Peter Goldie - 2009 - Emotion Review 1 (3):232-239.
    I argue that emotional feelings are not just bodily feelings, but also feelings directed towards things in the world beyond the bounds of the body, and that these feelings (feelings towards) are bound up with the way we take in the world in emotional experience.
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  7. Emotions, Feelings and Intentionality.Peter Goldie - 2002 - Phenomenology and the Cognitive Sciences 1 (3):235-254.
    Emotions, I will argue, involve two kinds of feeling: bodily feeling and feeling towards. Both are intentional, in the sense of being directed towards an object. Bodily feelings are directed towards the condition of one's body, although they can reveal truths about the world beyond the bounds of one's body – that, for example, there is something dangerous nearby. Feelings towards are directed towards the object of the emotion – a thing or a person, a state of affairs, an action (...)
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  8.  69
    On Personality.Peter Goldie - 2004 - Routledge.
    Warm, sensitive, creative, outgoing, cheeky, creepy. Scan any personal ads page and it's clear that to get a life you need a personality first. It is also a notion with a long and often bizarre history: in early Greece and medieval Europe, it was thought to depend on the balance of bile in the body. On Personality is a thoughtful and stimulating look under the skin of this widely-used but little understood phenomenon. Peter Goldie points out that we rely on (...)
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  9. Grief: A Narrative Account.Peter Goldie - 2011 - Ratio 24 (2):119-137.
    Grief is not a kind of feeling, or a kind of judgement, or a kind of perception, or any kind of mental state or event the identity of which can be adequately captured at a moment in time. Instead, grief is a kind of process; more specifically, it is a complex pattern of activity and passivity, inner and outer, which unfolds over time, and the unfolding pattern over time is explanatorily prior to what is the case at any particular time. (...)
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  10. One's Remembered Past: Narrative Thinking, Emotion, and the External Perspective.Peter Goldie - 2003 - Philosophical Papers 32 (3):301-319.
    Abstract Narrative thinking has a very important role in our ordinary everyday lives?in our thinking about fiction, about the historical past, about how things might have been, and about our own past and our plans for the future. In this paper, which is part of a larger project, I will be focusing on just one kind of narrative thinking: the kind that we sometimes engage in when we think about, evaluate, and respond emotionally to, our own past lives from a (...)
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  11. Emotion, Feeling, and Knowledge of the World.Peter Goldie - 2004 - In Robert C. Solomon (ed.), Thinking About Feeling: Contemporary Philosophers on Emotions. Oxford University Press.
    There is a view of the emotions (I might tendentiously call it ‘cognitivism’) that has at present a certain currency. This view is of the emotions as playing an essential role in our gaining evaluative knowledge of the world. When we are angry at an insult, or afraid of the burglar, our emotions involve evaluative perceptions and thoughts, which are directed towards the way something is in the world that impinges on our well-being, or on the well-being of those that (...)
     
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  12. Thick Concepts and Their Role in Moral Psychology.Chloë Fitzgerald & Peter Goldie - 2012 - In Robyn Langdon & Catriona Mackenzie (eds.), Emotions, Imagination, and Moral Reasoning. Psychology Press.
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  13.  35
    Anti-Empathy.Peter Goldie - 2011 - In Amy Coplan & Peter Goldie (eds.), Empathy: Philosophical and Psychological Perspectives. Oxford University Press. pp. 302.
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  14.  45
    The Narrative Sense of Self.Peter Goldie - 2012 - Journal of Evaluation in Clinical Practice 18 (5):1064-1069.
  15.  65
    Towards a Virtue Theory of Art.Peter Goldie - 2007 - British Journal of Aesthetics 47 (4):372-387.
    In this paper I sketch a virtue theory of art, analogous to a virtue theory of ethics along Aristotelian lines. What this involves is looking beyond a parochial conception of art understood as work of art, as product, to include intentions, motives, skills, traits, and feelings, all of which can be expressed in artistic activity. The clusters of traits that go to make up the particular virtues of art production and of art appreciation are indeed virtues in part because, when (...)
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  16. Explaining Expressions of Emotion.Peter Goldie - 2000 - Mind 109 (433):25-38.
    The question is how to explain expressions of emotion. It is argued that not all expressions of emotion are open to the same sort of explanation. Those expressions which are actions can be explained, like other sorts of action, by reference to a belief and a desire; however, no genuine expression of emotion is done as a means to some further end. Certain expressions of emotion which are actions can also be given a deeper explanation as being expressive of a (...)
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  17.  21
    Misleading Emotions.Peter Goldie - 2008 - In Georg Brun, Ulvi Dogluoglu & Dominique Kuenzle (eds.), Epistemology and Emotions. Ashgate Publishing Company. pp. 149--165.
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  18. Virtues of Art and Human Well-Being.Peter Goldie - 2008 - Aristotelian Society Supplementary Volume 82 (1):179-195.
    What is the point of art, and why does it matter to us human beings? The answer that I will give in this paper, following on from an earlier paper on the same subject, is that art matters because our being actively engaged with art, either in its production or in its appreciation, is part of what it is to live well. The focus in the paper will be on the dispositions—the virtues of art production and of art appreciation—that are (...)
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  19. How We Think of Others' Emotions.Peter Goldie - 1999 - Mind and Language 14 (4):394-423.
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  20. Understanding Emotions: Mind and Morals.Peter Goldie - 2002 - Brookfield: Ashgate.
  21.  50
    Emotion, Reason, and Virtue.Peter Goldie - 2004 - In D. Evans & Pierre Cruse (eds.), Emotion, Evolution, and Rationality. Oxford University Press. pp. 249--267.
  22.  65
    Virtues of Art.Peter Goldie - 2010 - Philosophy Compass 5 (10):830-839.
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  23.  70
    Dramatic Irony, Narrative, and the External Perspective.Peter Goldie - 2007 - Royal Institute of Philosophy Supplement 60 (60):69-84.
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  24. Wollheim on Emotion and Imagination.Peter Goldie - 2005 - Philosophical Studies 127 (1):1-17.
  25. Narrative Thinking, Emotion, and Planning.Peter Goldie - 2009 - Journal of Aesthetics and Art Criticism 67 (1):97-106.
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  26. Imagination and the Distorting Power of Emotion.Peter Goldie - 2005 - Journal of Consciousness Studies 12 (8-10):127-139.
    _In real life, emotions can distort practical reasoning, typically in ways that it is_ _difficult to realise at the time, or to envisage and plan for in advance. This fea-_ _ture of real life emotional experience raises difficulties for imagining such expe-_ _riences through centrally imagining, or imagining ‘from the inside’. I argue_ _instead for the important psychological role played by another kind of imagin-_ _ing: imagining from an external perspective. This external perspective can draw_ _on the dramatic irony involved (...)
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  27. Emotion.Peter Goldie - 2007 - Philosophy Compass 2 (6):928–938.
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  28.  83
    Intellectual Emotions and Religious Emotions.Peter Goldie - 2011 - Faith and Philosophy 28 (1):93-101.
    What is the best model of emotion if we are to reach a good understanding of the role of emotion in religious life? I begin by setting out a simple model of emotion, based on a paradigm emotional experience of fear of an immediate threat in one’s environment. I argue that the simple model neglects many of the complexities of our emotional lives, including in particular the complexities that one finds with the intellectual emotions. I then discuss how our dispositions (...)
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  29.  45
    Love for a Reason.Peter Goldie - 2010 - Emotion Review 2 (1):61-67.
    According to Bob Solomon, love is a human emotion, with a complex intentional structure, having its own kind of reasons. I will examine this account, which, in certain respects, tends to mask the deep and important differences between love and other emotions.
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  30.  10
    Loss of Affect in Intellectual Activity.Peter Goldie - 2012 - Emotion Review 4 (2):122-126.
    In this article I will consider how loss of affect in our intellectual lives, through depression for example, can be as debilitating as loss of affect elsewhere in our lives. This will involve showing that there are such things as intellectual emotions, that their role in intellectual activity is not merely as an aid to the intellect, and that loss of affect changes not only one’s motivations, but also one’s overall evaluative take on the world.
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  31.  27
    Life, Fiction, and Narrative.Peter Goldie - 2011 - In Noel Carroll & John Gibson (eds.), Narrative, Emotion, and Insight. Penn State University. pp. 8.
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  32. Narrative, Emotion, and Perspective.Peter Goldie - 2003 - In Matthew Kieran & Dominic Lopes (eds.), Imagination, Philosophy, and the Arts. Routledge. pp. 54--68.
     
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  33.  3
    I—Peter Goldie: Virtues of Art and Human Well-Being.Peter Goldie - 2008 - Aristotelian Society Supplementary Volume 82 (1):179-195.
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  34. Reviews-What Emotions Really Are: The Problem of Psychological Categories.Paul E. Griffiths & Peter Goldie - 1998 - British Journal for the Philosophy of Science 49 (4):642-648.
     
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  35. I—V Irtues of A Rt and H Uman W Ell-B Eing.Peter Goldie - 2008 - Aristotelian Society Supplementary Volume 82 (1):179-195.
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  36.  37
    The Aesthetic Mind: Philosophy and Psychology.Elisabeth Schellekens & Peter Goldie (eds.) - 2011 - Oxford University Press.
    The Aesthetic Mind breaks new ground in bringing together empirical sciences and philosophy to enhance our understanding of aesthetics and the experience of art.
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  37. Thick Concepts and Emotion.Peter Goldie - 2008 - In Daniel Callcut (ed.), Reading Bernard Williams. Routledge.
     
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  38.  12
    The Oxford Handbook of Philosophy of Emotion.Peter Goldie (ed.) - 2009 - Oxford University Press.
    This Handbook presents thirty-one state-of-the-art contributions from the most notable writers on philosophy of emotion today. Anyone working on the nature of emotion, its history, or its relation to reason, self, value, or art, whether at the level of research or advanced study, will find the book an unrivalled resource and a fascinating read.
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  39. Introduction.Peter Goldie & Elisabeth Schellekens - 2007 - In Peter Goldie & Elisabeth Schellekens (eds.), Philosophy and Conceptual Art. Oxford University Press.
     
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  40.  4
    Comment on Breithaupt's "A Three-Person Model of Empathy".Peter Goldie - 2012 - Emotion Review 4 (1):92-93.
    Breithaupt’s central claim is that “empathy can be regarded as a mechanism for strengthening a decision” . My concern is that it is not clear what is meant by “strengthen.” Does empathy merely give more motivational “oomph” to a decision already made, or does it strengthen a decision in the normative sense—does it give more reason for the decision?
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  41. Teaching & Learning Guide For: Emotion.Peter Goldie - 2008 - Philosophy Compass 3 (5):1097-1099.
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  42.  84
    Empathy with One's Past.Peter Goldie - 2011 - Southern Journal of Philosophy 49 (s1):193-207.
    This paper presents two ideas in connection with the notion of empathic access to one's past, where this notion is understood as consisting of memories of one's past from the inside, plus a fundamental sympathy for those remembered states. The first idea is that having empathic access is a necessary condition for one's personal identity and survival. I give reasons to reject this view, one such reason being that it in effect blocks off the possibility of profound personal progress through (...)
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    Acknowledgement of External Reviewers for 2002.Sven Arvidson, John Barresi, Tim Bayne, Pierre Bovet, Andrew Brook, Andy Clark, Lester Embree, William Friedman, Peter Goldie & David Hunter - 2003 - Phenomenology and the Cognitive Sciences 2 (95):151-152.
  44.  83
    Review: Justifying Emotions: Pride and Jealousy. [REVIEW]Peter Goldie - 2003 - Mind 112 (447):551-555.
  45. Understanding Emotions: Mind and Morals.Peter Goldie - 2004 - Philosophical Quarterly 54 (214):196-199.
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  46. Understanding Emotions. Mind and Morals.Peter Goldie - 2004 - Tijdschrift Voor Filosofie 66 (4):777-778.
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  47.  42
    Love's Complications.Peter Goldie - 2005 - The Philosophers' Magazine 29 (29):58-61.
  48.  56
    Not Passion's Slave: Emotions and Choice, by Robert C. Solomon and From Passions to Emotions: The Creation of a Secular Psychological Category, by Thomas Dixon.Peter Goldie - 2007 - European Journal of Philosophy 15 (1):106–110.
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    Moral Emotions and Intuitions. By Sabine Roeser. (Basingstoke: Palgrave Macmillan, 2011. Pp. Xvii + 207. Price £55.).Peter Goldie - 2012 - Philosophical Quarterly 62 (246):204-206.
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    Recreative Minds: Imagination in Philosophy and Psychology by Gregory Currie and Ian Ravenscroft, Oxford: Clarendon Press, 2002, Pp. 233; ISBN 0 19 823809 6 (Pbb) ??XX.Xx. [REVIEW]Peter Goldie - 2004 - Philosophy 79 (2):331-335.
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