Abstract

Critical accounts of race have drastically changed the landscapes of the social, the political, and the intimate. Philosophical perspectives on racial identity and difference hold out transformative possibilities for aesthetics. Revealing the entanglement of analytical concepts and day-to-day life with racial meaning, such approaches challenge the field of aesthetics to encounter its methodologies with a fresh look. How can aesthetics rethink itself by rethinking race and empire? What shape do aesthetic themes take in light of the historical, spatial, imaginative, affective, sensory, and sexual registers of racial subjectivity and the pervasiveness of racist and neocolonial constellations? How do art and the aesthetic reflect, or critically engage, racialization? What forms and idioms enable us to articulate the racial ethics and politics that shape our various conscious and unconscious aesthetic projects?