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Profile: Arnold Berleant (Long Island University)
  1.  10
    Allen Carlson & Arnold Berleant (eds.) (2004). The Aesthetics of Natural Environments. Broadview Press.
    The Aesthetics of Natural Environments is a collection of essays investigating philosophical and aesthetics issues that arise in our appreciation of natural environments. The introduction gives an historical and conceptual overview of the rapidly developing field of study known as environmental aesthetics. The essays consist of classic pieces as well as new contributions by some of the most prominent individuals now working in the field and range from theoretical to applied approaches. The topics covered include the nature and value of (...)
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  2.  4
    Arnold Berleant (1995). The Aesthetics of Environment. Temple University Press.
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  3.  29
    Arnold Berleant (1998). Living in the Landscape: Towards an Aesthetics of Environment. Journal of Aesthetics and Art Criticism 56 (3):302-303.
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  4.  29
    Arnold Berleant (2014). Environmental Sensibility. Studia Phaenomenologica 14:17-23.
    Aesthetics is fundamentally a theory of sensible experience. Its scope has expanded greatly from an initial centering on the arts and scenic nature to the full range of appreciative experience. Expanding the range of aesthetics raises challenging questions about the experience of appreciation. Traditional accounts are inadequate in their attempt to identify and illuminate the perceptual experiences that these new applications evoke. Considering the range of environmental and everyday occasions aesthetically changes aesthetics into a descriptive and not necessarily celebratory study (...)
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  5.  26
    Arnold Berleant (1991). Art and Engagement. Temple University Press.
    In this book Arnold Berleant develops a bold alternative to the eighteenth-century aesthetic of disinterestedness.
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  6. Arnold Berleant (1964). The Sensuous and the Sensual in Aesthetics. Journal of Aesthetics and Art Criticism 23 (2):185-192.
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  7.  96
    Arnold Berleant (2005). Aesthetics and Environment: Variations on a Theme. Ashgate Pub. Ltd..
    I: Environmental aesthetics -- A phenomenological aesthetics of environment -- Aesthetic dimensions of environmental design -- Down the garden path -- The wilderness city : a study of metaphorical experience -- Aesthetics of the coastal environment -- The world from the water -- Is there life in virtual space? -- Is greasy lake a place? -- Embodied music -- II: Social aesthetics -- The idea of a cultural aesthetic -- The social evaluation of art -- Subsidization of art as social (...)
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  8. Arnold Berleant (1994). The Persistence of Dogma in Aesthetics. Journal of Aesthetics and Art Criticism 52 (2):237-239.
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  9.  62
    Arnold Berleant (1986). The Historicity of Aesthetics — I. British Journal of Aesthetics 26 (2):101-111.
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  10. Rudolf Arnheim, Charles Gauss, Richard Kuhns, Avrum Stroll, Selma Jeanne Cohen, Gordon Epperson, Arnold Berleant, Hilde Hein & Charles Hartshorne (1993). Reminiscences. Journal of Aesthetics and Art Criticism 51 (2):279-289.
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  11.  11
    Arnold Berleant (1982). Multinationals, Local Practice, and the Problem of Ethical Consistency. Journal of Business Ethics 1 (3):185 - 193.
    The business practices of multinational corporations raise many provocative moral issues and offer a touchstone for some fundamental ethical concepts. This essay identifies a wide range of problems but centers on the matter of consistency in corporate policy between foreign and domestic practices and the kind of generality of standards that is required to achieve consistency. Two considerations are singled out for illustrative discussion: wage scales and bribes. Proposals are offered for achieving consistency and generality in each case, the principle (...)
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  12. Arnold Berleant (2005). Re-Thinking Aesthetics Rogue Essays on Aesthetics and the Arts. Monograph Collection (Matt - Pseudo).
     
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  13.  43
    Arnold Berleant (2007). The Soft Side of Stone. Environmental Philosophy 4 (1/2):49-58.
    Stone represents the firmness and intransigence of the world within which we live and act. But beyond the perception and appropriations of stone, diverse meanings lie hidden between the hardness of stone and its uses. At the same time meaning must be grounded in the stabilizing presence of a common world. Yet if all that can be said is not about stone simpliciter but only an aesthetics of its perception, uses, and meanings, have we not gained the whole world but (...)
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  14.  3
    Arnold Berleant (2016). Some Questions for Ecological Aesthetics. Environmental Philosophy 13 (1):123-135.
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  15.  57
    Arnold Berleant (1994). Beyond Disinterestedness. British Journal of Aesthetics 34 (3):242-254.
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  16.  11
    Arnold Berleant (2007). A Rose by Any Other Name. Filozofski Vestnik 2 (2):151 - +.
    This is an essay on the tasks and capacities of aesthetic theory and the pitfalls that beset it. I want to show that aesthetics can be enlightening by revealing and studying the facets and dimensions of experiences we call aesthetic, experience that is expansive and revelatory. This kind of experience can also clarify the relation of aesthetics to other areas of knowledge, such as cultural studies, and conversely, the bearing of other disciplines on our aesthetic understanding. Aesthetic theory, however, is (...)
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  17.  59
    Arnold Berleant (1986). The Historicity of Aesthetics - II. British Journal of Aesthetics 26 (3):195-203.
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  18.  20
    Arnold Berleant & Allen Carlson (1998). Introduction. Journal of Aesthetics and Art Criticism 56 (2):97-100.
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  19.  3
    Arnold Berleant (forthcoming). Some Questions for Ecological Aesthetics in Advance. Environmental Philosophy.
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  20.  50
    Arnold Berleant (2007). Aesthetics and Environment Reconsidered: Reply to Carlson. British Journal of Aesthetics 47 (3):315-318.
    Allen Carlson finds three central problems in my book, Aesthetics and Environment: that it lacks a criterion of the aesthetic itself, that my proposal, aesthetic engagement, is excessively subjective, and that we cannot therefore distinguish between ‘easy’ and ‘serious’ beauty. I respond by uncovering the metaphysical assumptions on which his critique rests and offer more plausible alternatives. I argue, further, that their implications are not only acceptable but fully satisfactory.
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  21.  9
    Arnold Berleant (1968). V. Tejera's "Art and Human Intelligence". [REVIEW] Philosophy and Phenomenological Research 29 (2):307.
  22.  27
    Arnold Berleant (1981). The Aesthetics of Architecture. Teaching Philosophy 4 (2):194-197.
  23.  3
    Arnold Berleant (1986). Experience and Theory in Aesthetics. In Michael H. Mitias (ed.), Possibility of the Aesthetic Experience. Distributors for the U.S. And Canada, Kluwer Academic 91--106.
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  24.  12
    Arnold Berleant (1987). Does Art Have a Spectator? Journal of Aesthetics and Art Criticism 45 (4):411-412.
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  25.  12
    Arnold Berleant (1992). Basic Issues In Aesthetics. Idealistic Studies 22 (3):222-223.
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  26.  29
    Arnold Berleant (1994). The Critical Aesthetics of Disney World. Journal of Applied Philosophy 11 (2):171-180.
  27.  5
    Arnold Berleant (1971). The Aesthetic Field: A Phenomenology of Aesthetic Experience. Journal of Aesthetics and Art Criticism 30 (1):125-128.
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  28.  6
    Arnold Berleant (2003). The Muses. International Studies in Philosophy 35 (2):165-166.
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  29.  27
    Arnold Berleant (1964). A Note on the Problem on Defining `Art'. Philosophy and Phenomenological Research 25 (2):239-241.
  30.  21
    Arnold Berleant (2009). Making Theory, Making Sense: Comments on Ronald Moore'sNatural Beauty. Ethics, Place and Environment 12 (3):337-341.
    The broad scope and coherence of Natural Beauty are among its major strengths. Moore's syncretic theory tries to integrate diverse and sometimes conflicting theoretical strands. Of special importance is his recognition that the natural world is a social institution embodying perceptions that are conditioned, experiences communicated through language, and social beliefs and conventions. These lead him to consider the natural world as actually artifactual, and he terms it the 'natureworld'. Among the consequences of this is the reciprocity of natural and (...)
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  31.  11
    Arnold Berleant (2010). Reconsidering Scenic Beauty. Environmental Values 19 (3):335 - 350.
    Attempts to justify the objectivity and universality of aesthetic judgment have traditionally rested on unsupported assumptions or mere assertion. This paper offers a fresh consideration of the problem of judgments of taste. It suggests that the problem of securing universal agreement is false and therefore insoluble since it imposes an inappropriate logical criterion on the extent of agreement, which is irrevocably empirical. The variability of judgments of taste actually forms a subject ripe for inquiry by sociologists, psychologists, historians and anthropologists, (...)
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  32. Arnold Berleant (1997). Andrew Light and Jonathan M. Smith, Eds., Philosophy and Geography I: Space, Place, and Environmental Ethics Reviewed By. [REVIEW] Philosophy in Review 17 (5):342-345.
     
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  33.  5
    Arnold Berleant (2009). Art, Terrorism and the Negative Sublime. Contemporary Aesthetics 7.
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  34.  16
    Arnold Berleant (1999). Mothering and Metaphor. Journal of Aesthetics and Art Criticism 57 (3):363-365.
  35.  17
    Arnold Berleant (1994). Aesthetics and Community. Journal of Value Inquiry 28 (2):257-272.
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  36.  16
    Arnold Berleant (1966). On the Circularity of the Cogito. Philosophy and Phenomenological Research 26 (3):431-433.
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  37.  13
    Arnold Berleant (1973). The Verbal Presence: An Aesthetics of Literary Performance. Journal of Aesthetics and Art Criticism 31 (3):339-346.
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  38.  14
    Arnold Berleant (1970). Aesthetics and the Contemporary Arts. Journal of Aesthetics and Art Criticism 29 (2):155-168.
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  39.  2
    Arnold Berleant (1987). Exigences esth tiques d'une cologie urbaine. Diogenes 2:004.
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  40.  2
    Arnold Berleant (1984). The Theory of the Arts. Philosophy and Literature 8 (2):279.
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  41.  10
    Arnold Berleant (1967). The Experience & Judgment of Values. Journal of Value Inquiry 1 (1):24-37.
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  42.  3
    Arnold Berleant (2011). Evolutionärer Naturalismus Und Das Ende des Dualismus. In Wolfgang Welsch, Christian Tewes & Klaus Vieweg (eds.), Natur Und Geist: Über Ihre Evolutionäre Verhältnisbestimmung. Akademie Verlag 21.
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  43.  8
    Arnold Berleant (1970). The Social Postulate of Theoretical Ethics. Journal of Value Inquiry 4 (1):1-16.
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  44.  5
    Arnold Berleant (1984). The Theory of the Arts (Review). Philosophy and Literature 8 (2):279-284.
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  45.  7
    Arnold Berleant (1977). Ethics and Science: Some Normative Facts and a Conclusion. [REVIEW] Journal of Value Inquiry 11 (4):244-258.
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  46.  7
    Robert N. Beck, Bruce Kuklick, Cyril Welch, Raymond M. Herbenick & Arnold Berleant (1971). Book Reviews. [REVIEW] Journal of Value Inquiry 5 (3):226-237.
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  47.  2
    Arnold Berleant (1981). Poetic Creation: Inspiration or Craft (Review). Philosophy and Literature 5 (1):117-118.
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  48.  2
    Isis Brook, Katie Mcshane, Clive L. Spash, Nina Witoszek, Elisa Aaltola, Maniklal Adhikary, Samrat Chowdhury, Kevin Behrens, Arnold Berleant & Catherine Butler (2010). Index to Environmental Values Volume 19, 2010. Environmental Values 19:553-556.
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  49.  6
    Arnold Berleant (1969). Surrogate Theories of Art. Philosophy and Phenomenological Research 30 (2):163-185.
  50.  1
    Arnold Berleant (1973). George P. Stein's "The Ways of Meaning in the Arts". [REVIEW] Philosophy and Phenomenological Research 34 (1):114.
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