Abstract

“Older than Language Is the Mimicking of Gestures”: The Body as the Origin of Language. Nietzsche’s early philosophical ideas about language and its origin occupy a central place in scholarly discussions of his work. In order to examine Nietzsche’s interpretation of the constitution of human language, this article focuses not only on his early writings, but also on the first volume of Human, All Too Human as well as on his later period, in particular his work in 1887 and 1888. The central claim of this article is that Nietzsche begins to view the body, with its gestures and movements, as the site of origin for instinctive unconscious language and the subsequent emergence of conceptual language. Already in 1872, and with the influence of contemporary scientific ideas, he begins to conceive the movement and gesture of the human body as the foundation for the origin of language. Strengthened in Human, All Too Human, this idea appears again in his later writings in 1887, when Nietzsche connects it to Charles Féré’s theories of “psychomotor induction” and “mental suggestion.” Finally, it is the Dionysian artist of 1888 who enjoys par excellence the capacity for suggestion, affect and immediate representation, and who thus becomes the master of communication.