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Leonardo da Vinci y la comparación ojo-cámara obscura
Ideas Y Valores 69 (174):143-171 (2020)
Abstract
Este artículo explora si hay algún fundamento sólido para atribuir a Leonardo da Vinci prioridad en la formulación del símil que lleva a concebir el ojo como una cámara obscura. Aquí, se defiende una posición pesimista. No obstante, el artículo resalta algunos aportes del pintor renacentista que pueden considerarse contribuciones a la consolidación del símil.Other Versions
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References found in this work
Methodological Aspects of Kepler's Theory of Refraction.Gerd Buchdahl - 1972 - Studies in History and Philosophy of Science Part A 3 (3):265.
Kepler: Analogies in the search for the law of refraction.Carlos Alberto Cardona - 2016 - Studies in History and Philosophy of Science Part A 59:22-35.
The law of refraction and Kepler’s heuristics.Carlos Alberto Cardona Suárez & Juliana Gutiérrez Valderrama - 2020 - Archive for History of Exact Sciences 74 (1):45-75.
Grosseteste's "Quantitative" Law of Refraction: A Chapter in the History of Non-Experimental Science.Bruce S. Eastwood - 1967 - Journal of the History of Ideas 28 (3):403.
Leonardo's eye.James S. Ackerman - 1978 - Journal of the Warburg and Courtauld Institutes 41 (1):108-146.
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