A prophecy come true? Danto and Hegel on the end of art

In Elizabeth Millán (ed.), After the Avant-Gardes: Reflections on the Future of the Fine Arts. Chicago, Illinois: Open Court Publishing Company (2016)
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Abstract

The paper challenges A. Danto's claim that his theory of the history of art is 'Hegelian'. It does so by re-contextualizing Hegel's views about 'the end of art' within romantic philosophy and earlier German idealism. Hegel's aesthetics is reconstructed as a systematic answer both to Schlegel's idea of a 'Kunstreligion' and to Schelling's philosophy of art. Eventually, Hegel and Danto can be seen as having radically different views on artistic progress.

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