Abstract

The development of Louis Mink's philosophy of history is traced beginning with his classic essay "The Autonomy of Historical Understanding" and culminating in "Narrative Form as a Cognitive Instrument". Mink's thoughts on history during this period were marked by an everdeepening interest in the textuality and intertextuality of historical accounts, in the modes of representation which historians adopt and use to produce their "reality effects," and in the effort to mediate between what he was to call the New Rhetorical Relativism and the claim that histories are in some sense true. Mink's response to Hempel's "The Function of General Laws in History," the beginning of Mink's consideration of narrative in "The Autonomy of Historical Understanding" and later in "History and Fiction as Modes of Comprehension," his association with Hayden White, his critique of a paper by Arno Mayer, and the beginning of Mink's final thoughts in "History and Narrative" and "Narrative Form as a Cognitive Instrument" are considered in elaborating the development of Mink's philosophy of history