This article follows a perplexing juncture in Chimamaanda Ngozi Adichie's 2013 novel Americanah: Ifemelu's choice to return back to Nigeria. Following the themes of “home,” “travel,” and “Africanness,” this article explores the link between the migration away from and to Africa and the apparent racelessness Ifemelu experiences as she crosses the fragmented racial zones between Nigeria and America. It challenges the claim that returning to Africa is counterintuitive and only a departure from the Continent is desirable, thus, analyzing the (...) logic of travel concomitant with contemporary phenomenologies of Africanness. This analysis seeks to distinguish Afropolitanism from “Americanah” and to offer Americanah's emphasis on reverse migration as a counterweight to Afropolitanism's emphasis on extra-continental travel. Ifemelu's return opens up two questions in the context of this analysis: What does the logic of travel offer to Ifemelu's racial identity as she comes to understand herself in two geospatial temporalities? and What does the language of “home” as contrasted to the discomfort of travel, contributes to her ontological understandings of herself as African? (shrink)

This article analyses Chimamanda Ngozi Adichie’s most recent novel, Americanah (2013), which brings to the fore the complex issues faced by female migrants in a globalized world. Given the centrality of digital platforms in Americanah and their impact and ubiquity in modern societies, the essay examines cyberspace as a tool for identity formation, specifically of Ifemelu, the novel’s Nigerian female protagonist, and as a platform that enhances transnational solidarity by offering female migrants the opportunity to be heard and (...) gain agency. By examining different forms of social discrimination Ifemelu encounters during her long stay in America, and the agency she gains by setting up a blog to openly express her views and those of her readers, my analysis shows the importance of an intersectional approach for understanding and encompassing the multidimensionality of women’s experiences in today’s interconnected world. The article concludes that Americanah is a representative example of transmodern fiction that captures both the challenges and the opportunities created by the mobility, transnational and transcultural reality of our times. (shrink)

This paper looks, in the first place, at gender issues in Pentecostal Christianity in Nigeria. This is especially as captured by the Nigerian writer, Chimamanda Ngozi Adichie, in her novel, Americanah. It is found that women in Nigerian Pentecostalism are more than the men in number and participate more actively both in church activities and in spiritual efforts at home. However, it is mostly the men who are the pastors and leaders of the Nigerian Pentecostal churches, even if at (...) home, by what is sometimes called ‘domestication’ of the same men, the women are empowered in some ways. The paper then considers what their place has in common with the place of women in the Roman Catholic Church in contemporary Nigeria. The paper adds to the existing literature on the place and role of women in both Pentecostalism and Catholicism in contemporary Nigeria. (shrink)

El sujeto migrante, por su condición intermedia de traductor cultural, presenta una perspectiva ambiguasobre los clichés del humanitarismo. El origen de las protagonistas de We Need New Names y Americanah les permite relatar la experiencia vivida con la ayuda humanitaria, a la vez que la migración y la distancia de esta condición, adquiriendo una voz crítica e irónicamente denunciatoria sobre las paradojas de la piedad. No obstante, en el mismo movimiento, su asentamiento en el país de recepción las desorienta (...) y les hace perder progresivamente su reflexión mordaz, convirtiéndolas en consumidoras del sufrimiento a la distancia y reforzando la colonialidad del poder. Primero, veremos el desarraigo de los sujetos migrantes, Ifemelu y Darling; luego, la evolución de las políticas y paradojas de la piedad y su influencia en el espectáculo del sufrimiento desde la mirada del sujeto migrante; finalmente, el artificio del humanitarismo cliché de los medios de comunicación, de la fotografía y su relación con las ong. (shrink)

The article analyzes two novels of migration by Nigerian women authors in the context of Afropolitanism: Chimamanda Ngozi Adichie’s Americanah (2013) and Sefi Atta’s A Bit of Difference (2013). It is argued that Afropolitanism obscures the reasons why migration from Africa to the West has been increasing in the decades since independence, rather than decreasing. In comparing the two novels, the article focuses on empathy towards and solidarity between fellow Nigerians, which has been seen by Nigerian philosopher Chielozona Eze (...) as crucial for building African civil society and functional state. (shrink)