Search results for 'Andrew E. Benjamin' (try it on Scholar)

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  1. Andrew E. Benjamin & Peter Osborne (eds.) (2000). Walter Benjamin's Philosophy: Destruction and Experience. Clinamen Press.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
     
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  2.  50
    Andrew E. Benjamin & Charles Rice (eds.) (2009). Walter Benjamin and the Architecture of Modernity. Re.Press.
    Walter Benjamin's Politics of 'bad tasteMichael Mac Modernity as an unfinished Project: Benjamin and Political RomanticismRobert Sinnerbrink Violence, ...
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  3. Andrew E. Benjamin (ed.) (1991). The Problems of Modernity: Adorno and Benjamin. Routledge.
  4.  48
    Andrew E. Benjamin (1991). Art, Mimesis, and the Avant-Garde: Aspects of a Philosophy of Difference. Routledge.
    Art, Mimesis and the Avant-Garde explores the relationship between art and philosophy. Andrew Benjamin argues for a reworking of the task of philosophy in terms of the centrality of ontology. It is in relation to this centrality, understood through the differences between modes of being, that art, mimesis, and the avant-garde come to be presented. A fundamental part of this book is the original interpretations of important contemporary painters and their themes: Lucian Freud's self-portraits, Francis Bacon 's use (...)
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  5. Andrew E. Benjamin (ed.) (1995). Complexity: Architecture, Art, Philosophy. Distributed to the Trade in the United States of America by National Book Network.
    JPVA Journal of Philosophy and the Visual Arts No 6 Complexity Architecture / Art / Philosophy 'Beginning with complexity will involve working with the recognition that there has always been more than one. Here however this insistent "more than one" will be positioned beyond the scope of semantics; rather than complexity occurring within the range of meaning and taking the form of a generalised polysemy, it will be linked to the nature of the object and to its production. Complexity, therefore, (...)
     
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  6.  40
    Andrew E. Benjamin (2000). Architectural Philosophy: Repetition, Function, Alterity. Athlone Press.
    Architectural Philosophy is the first book to outline a philosophical account of architecture and to establish the singularity of architectural practice and ...
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  7.  2
    Andrew E. Benjamin (2006). Style and Time: Essays on the Politics of Appearance. Northwestern University Press.
  8. Andrew E. Benjamin, J. R. R. Christie & G. N. Cantor (1987). The Figural and the Literal Problems of Language in the History of Science and Philosophy, 1630-1800.
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  9. Andrew E. Benjamin (1992). Architecture, Space, Painting.
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  10. Andrew E. Benjamin (1989). Journal of Philosophy and the Visual Arts.
     
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  11. Andrew E. Benjamin (1994). Object Painting.
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  12. Andrew E. Benjamin (1990). Philosophy and Architecture.
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  13. Andrew E. Benjamin (1988). Post-Structuralist Classics.
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  14. Andrew E. Benjamin (2001). Philosophy's Literature.
     
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  15. Andrew E. Benjamin, Peter Osborne & Institute of Contemporary Arts (1991). Thinking Art Beyond Traditional Aesthetics.
     
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  16. Andrew E. Benjamin (1993). The Body.
     
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  17. A. Papadakåes, Catherine Cooke & Andrew E. Benjamin (1989). Deconstruction Omnibus Volume.
     
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  18.  46
    Andrew Benjamin (2012). Morality, Law and the Place of Critique: Walter Benjamin's The Meaning of Time in the Moral World. Critical Horizons 12 (3):281 - 301.
    Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.
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  19.  18
    Andrew Benjamin (2003). Being Roman Now: The Time of Fashion A Commentary on Walter Benjamin's 'Theses on the Philosophy of History' XIV. Thesis Eleven 75 (1):39-53.
    Walter Benjamin’s writings on fashion need to be read as engagements with the problem of historical time and a related politics of time. The aim of this article is to develop this position. Its point of orientation is Thesis XIV from the Theses on the Philosophy of History. What is argued is that close attention to the temporality of change and novelty within fashion may allow an insight into a conception of interruption and the ‘new’, however, it cannot yield (...)
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  20. Andrew Benjamin (2010). Porosity at the Edge : Working Through Walter Benjamin's "Naples". In Walter Benjamin & Gevork Hartoonian (eds.), Walter Benjamin and Architecture. Routledge.
     
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  21. Andrew Benjamin & Dimitris Vardoulakis (eds.) (2015). Sparks Will Fly: Benjamin and Heidegger. State University of New York Press.
    _Collected essays consider points of affinity and friction between Walter Benjamin and Martin Heidegger._.
     
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  22. Andrew Benjamin & Peter Osborne (eds.) (2013). Walter Benjamin's Philosophy: Destruction and Experience. Routledge.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
     
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  23. Andrew Benjamin & Peter Osborne (eds.) (1993). Walter Benjamin's Philosophy: Destruction and Experience. Routledge.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
     
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  24.  6
    Andrew Benjamin (2017). Gesture and Expression : Interrupting Lament's Repetition Walter Benjamin and Sophocles’ Electra. In .
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  25.  17
    Andrew Benjamin, The Absolute as Translatability: Working Through Walter Benjamin on Language.
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  26.  18
    Andrew Benjamin, Benjamin and the Baroque: Posing the Question of Historical Time.
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  27.  5
    Andrew Benjamin, Leben Und Gluck: Modernity and Tragedy in Walter Benjamin, Hölderlin, and Sophocles.
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  28.  14
    Beatrice Hanssen & Andrew Benjamin, Walter Benjamin's Critical Romanticism: An Introduction.
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  29.  9
    Andrew Benjamin, Benjamin's Modernity.
  30.  8
    Andrew Benjamin (2015). Art's Philosophical Work. Rowman & Littlefield International.
    World-leading philosopher Andrew Benjamin presents a radically new materialist philosophy of art and a rethinking of the history of art in that context.
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  31. Andrew Benjamin (2005). Present Hope: Philosophy, Architecture, Judaism. Routledge.
    An understanding of what we mean by the present is one of the key issues in literature, philosophy, and culture today, but also one of the most neglected and misunderstood. _Present Hope_ develops a fascinating philosophical understanding of the present, approaching this question via discussions of the nature of historical time, the philosophy of history, memory, and the role of tragedy. Andrew Benjamin shows how we misleadingly view the present as simply a product of chronological time, ignoring the (...)
     
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  32.  29
    Andrew Benjamin (1997). Present Hope: Philosophy, Architecture, Judaism. Routledge.
    An understanding of what we mean by the present is one of the key issues in literature, philosophy, and culture today, but also one of the most neglected and misunderstood. _Present Hope_ develops a fascinating philosophical understanding of the present, approaching this question via discussions of the nature of historical time, the philosophy of history, memory, and the role of tragedy. Andrew Benjamin shows how we misleadingly view the present as simply a product of chronological time, ignoring the (...)
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  33. Andrew Benjamin (2014). Translation and the Nature of Philosophy : A New Theory of Words. Routledge.
    This engrossing study, first published in 1989, explores the basic mutuality between philosophy and translation. By studying the conceptions of translation in Plato, Seneca, Davidson, Walter Benjamin and Freud, Andrew Benjamin reveals the interplay between the two disciplines not only in their relationship to language, but also at a deeper, cognitive level. Benjamin engages throughout with the central tenets of post-structuralism: the concept of a constant yet illusive ‘true’ meaning has lost authority, but remains a problem. (...)
     
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  34. Andrew Benjamin (2015). Translation and the Nature of Philosophy : A New Theory of Words. Routledge.
    This engrossing study, first published in 1989, explores the basic mutuality between philosophy and translation. By studying the conceptions of translation in Plato, Seneca, Davidson, Walter Benjamin and Freud, Andrew Benjamin reveals the interplay between the two disciplines not only in their relationship to language, but also at a deeper, cognitive level. Benjamin engages throughout with the central tenets of post-structuralism: the concept of a constant yet illusive ‘true’ meaning has lost authority, but remains a problem. (...)
     
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  35. Andrew Benjamin (2014). Translation and the Nature of Philosophy (Routledge Revivals): A New Theory of Words. Routledge.
    This engrossing study, first published in 1989, explores the basic mutuality between philosophy and translation. By studying the conceptions of translation in Plato, Seneca, Davidson, Walter Benjamin and Freud, Andrew Benjamin reveals the interplay between the two disciplines not only in their relationship to language, but also at a deeper, cognitive level. Benjamin engages throughout with the central tenets of post-structuralism: the concept of a constant yet illusive ‘true’ meaning has lost authority, but remains a problem. (...)
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  36.  27
    Andrew Benjamin (2011). Endles Touching: Herder and Scuplture. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 4 (1).
  37.  40
    Andrew Benjamin (2011). On the Image of Painting. Research in Phenomenology 41 (2):181-205.
    Painting can only be thought in relation to the image. And yet, with (and within) painting what continues to endure is the image of painting. While this is staged explicitly in, for example, paintings of St. Luke by artists of the Northern Renaissance—e.g., Rogier van der Weyden, Jan Gossaert, and Simon Marmion—the same concerns are also at work within both the practices as well as the contemporaneous writings that define central aspects of the Italian Renaissance. The aim of this paper (...)
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  38. Andrew Benjamin (2000). L'altro della filosofia: l'evento plurale come "letteratura". Iride: Filosofia e Discussione Pubblica 13 (3):467-488.
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  39. Steven Shapin (1988). The Figural and the Literal: Problems of Language in the History of Science and Philosophy, 1630-1800 by Andrew E. Benjamin; Geoffrey N. Cantor; John R. R. Christie. [REVIEW] Isis: A Journal of the History of Science 79:127-128.
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  40.  1
    Taísa Helena Pascale Palhares (1997). A filosofia de Walter Benjamin–destruição e experiência, de Andrew Benjamin e Peter Osborne. Cadernos de Filosofia Alemã 3.
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  41.  24
    Simone de Beauvoir, Barbara Klaw, Sylvie le Bon de Beauvoir, Chris Beneke, Walter Benjamin & Alain Boureau (forthcoming). Audi, Robert. Practical Reasoning and Ethical Decision. New York: Routledge, 2006. Xi, 249p., Index. Moral Principles of Action, Intention, and Justifica-Tion, Plus Consideration of Weakness of Will and Self-Deception. Babich, Babette E. Words in Blood, Like Flowers: Philosophy and Poetry, Music and Eros in Hö Lderlin, Nietzsche, and Heidegger. Albany: State U Of. [REVIEW] Journal of the History of Ideas.
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  42.  12
    N. E. (1941). Benjamin Franklin's Experiments: A New Edition of Franklin's Experiments and Observations on Electricity. [REVIEW] Journal of Philosophy 38 (26):717-718.
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  43.  17
    Cássio Corrêa Benjamin (2008). Schmitt e o problema da democracia: nostalgia da transcendência ou a representação como questão para a democracia. Kriterion: Journal of Philosophy 49 (118):417-441.
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  44.  2
    Cássio Corrêa Benjamin (2008). Schmitt E o Problema da Democracia: Nostalgia da Transcendência Ou a Representação Como Questão Para a Democracia. Kriterion: Revista de Filosofia 49 (118).
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  45.  2
    Cássio Corrêa Benjamin (2008). Schmitt E Strauss: Um Diálogo Oblíquo. Kriterion: Revista de Filosofia 49 (118).
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  46.  10
    Cássio Corrêa Benjamin (2008). Schmitt e Strauss: um diálogo oblíquo. Kriterion: Journal of Philosophy 49 (118):443-448.
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  47. Carl D. Evans, Victor H. Matthews & Don C. Benjamin (1996). Social World of Ancient Israel, 1250-587 B. C. E. Journal of the American Oriental Society 116 (2):291.
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  48.  46
    Andrew Benjamin (2013). Architecture and Technology: A Discontinuous Relation. [REVIEW] Foundations of Science 18 (1):201-204.
    Technology has a history structured by discontinuities. The first important philosophical expression of such a conception of technology was advanced by Walter Benjamin when he defined art works in relation to specific techniques of production. At the present art and architecture occur within an age defined by the move from ’technical reproducibility’ to digital reproducibility. The move has an impact on how technology is understood and its relation to architecture conceived. Adapting Walter Benjamin’s work in this area provides (...)
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  49.  5
    Andrew Benjamin (2015). Responding. Philosophy Today 59 (1):147-153.
    The aim of this response is twofold. It is to reinforce the argument that the concept of life is central to Walter Benjamin; secondly, it is to clarify some of the elements involved in thinking philosophically about the political.
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  50. Andrew Benjamin (2005). The Plural Event: Descartes, Hegel, Heidegger. Routledge.
    Benjamin provides new and important readings of key canonical texts in the history of philosophy in his sustained philosophical reworking of ontology. Amongst texts included are Hegel's _Difference Essay_ and the _Shorter Logic_ and Heidegger's _Time and Being_ and _The Question of Being_. The effective presence of ontology, defined as `an original difference', will be familiar to readers of his earlier writings. This book represents his most thorough and original contribution to contemporary philosophy to date.
     
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