Ce volume présente un choix de textes et de documents sur la littérature, l'art et la théorie de l'Inisme écrits par le fondateur même de ce mouvement artistique et littéraire international d'avant-garde. Avec l'Inisme commence la Troisième phase de l'Avant-garde, celle que l'on nomme Révolution révolutionnée, qui suit la Révolte (futurisme, dada), puis celle de la Révolution (surréalisme), dont l'actualité avait été tracée par François Proïra dans son livre L'Inisme, Etre à l'avant-garde aujourd'hui (L'Harmattan 2005).

The genre of the plague treatise, still little studied, testifies to the cultural transformations that swept western Eurasia after the Black Death apocalypse of the mid-fourteenth century, with recurrent outbreaks for centuries thereafter. Ottoman contributions to this genre are exemplary: they allow us to track the emergence of an imperial-scientific early modernity. This article presents the most comprehensive and innovative Islamicate plague treatise extant, Taşköprīzāde Aḥmed’s (d. 1561) Treatise on Healing Epidemic Diseases. Therein the celebrated Ottoman polymath makes a strong (...) case, advanced by arguments both religious and rational, for occult science as the most empirical method for preventing and curing the plague. To this end, he devotes the theoretical first half of the treatise to a critique of fatalist scholars and sufis, who prefer tawakkul to tasabbub, or blind faith to “scientific method”; the practical second half is devoted to what he considers to be the most medically effective scientific discipline of his era, lettrism (ʿilm al-ḥurūf)—a Neopythagorean science encapsulating the new “cosmological imaginary” of Western early modernity generally, wherein the world was seen by many thinkers and doers as a mathematical and hence magically tractable text. Our distaste for occult science notwithstanding, Taşköprīzāde must here be named another early modern empiricist. (shrink)

These photographs, essays, drawings, and original texts document the rich agit-art legacy of the Situationist International, a group of European artists and writers who emerged from such avant-garde movements as COBRA, Lettrisme, and the Imaginary Bauhaus and from the breakup of surrealism to launch a strategy of art as cultural critique.