Linked bibliography for the SEP article "Philosophy of Theater" by James R. Hamilton
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African Arts, 3(1): 60–63. doi:10.2307/3334461 (Scholar)
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ACCV 2016: 13th Asian Conference on Computer VisionTaipei, Taiwan,
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- Artaud, Antonin, 1938 [1958], Théâtre et son
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poéticas políticas. Translated as
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- –––, 2008, The Philosophy of Motion Pictures, Hoboken, NJ: Wiley-Blackwell. (Scholar)
- –––, 2016, “Art Appreciation”, The Journal of Aesthetic Education, 50(4): 1–14. doi:10.5406/jaesteduc.50.4.0001 (Scholar)
- Carroll, Noël and Sally Banes, 2001, “Theatre:
Philosophy, Theory, and Criticism”, Journal of Dramatic
Theory and Criticism, 16(1): 155–166.
[Carroll and Banes 2001 available online] (Scholar)
- Carlson, Marvin, 1984 [1993], Theories of the Theatre: a Historical and Critical Survey from the Greeks to the Present, Ithaca, NY: Cornell University Press. Expanded edition, 1993. (Scholar)
- –––, 1994, “Invisible
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- Cavell, Stanley, 1987, Disowning Knowledge: In Seven Plays of Shakespeare, Cambridge: Cambridge University Press. Second edition 2003. doi:10.1017/cbo9781139165129 (Scholar)
- Chaikin, Joseph, 1972, The Presence of the Actor, New
York: Atheneum. (Scholar)
- Cook, Roy T., 2011, “Do Comics Require Pictures? Or Why Batman #663 Is a Comic”, The Journal of Aesthetics and Art Criticism, 69(3): 285–296. doi:10.1111/j.1540-6245.2011.01472.x (Scholar)
- Cross, Anthony, 2017, “Art Criticism as Practical Reasoning”, The British Journal of Aesthetics, 57(3): 299–317. doi:10.1093/aesthj/ayx016 (Scholar)
- Cull, Laura, 2013, “Philosophy as Drama: Deleuze and
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Modern Drama, 56(4): 498–520. doi:10.3138/md.s87 (Scholar)
- Cull Ó Maoilearca, Laura, 2018, “Notes toward The
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- Currie, Gregory, 1988, An Ontology of Art, London: Macmillan. (Scholar)
- Danto, Arthur C., 1981, The Transfiguration of the Commonplace: A Philosophy of Art, Cambridge, MA: Harvard University Press. (Scholar)
- Davies, Stephen, 2003, “Ontology of Art”, in The Oxford Handbook of Aesthetics, Jerrold Levinson (ed.), Oxford: Oxford University Press, pp. 155–180. (Scholar)
- –––, 2006, “Definitions of Art”, The Routledge Companion to Aesthetics, Abingdon-on-Thames: Routledge, pp. 169–179. (Scholar)
- Davies, David, 2004, Art as Performance, Oxford, UK: Blackwell Publishing Ltd. doi:10.1002/9780470774922 (Scholar)
- –––, 2011, Philosophy of the Performing Arts, Oxford, UK: Wiley-Blackwell. doi:10.1002/9781444343458 (Scholar)
- Deleuze, Gilles, 1968 [1994], Différence et répétition, Paris: Presses Universitaires de France. Translated as Difference and Repetition, Paul Patton (trans.), New York: Columbia University Press, 1994. (Scholar)
- Diamond, Elin, 1989, “Mimesis, Mimicry, and the
‘True-Real’”, Modern Drama, 32(1): 58–72.
doi:10.3138/md.32.1.6 (Scholar)
- Dodd, Julian, 2012, “Defending the Discovery Model in the Ontology of Art: A Reply to Amie Thomasson on the Qua Problem”, The British Journal of Aesthetics, 52(1): 75–95. doi:10.1093/aesthj/ayr047 (Scholar)
- –––, 2013, “Artistic Value and Sentimental
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- Driver, Jon and Charles Spence, 2004, “Crossmodal Spatial Attention: Evidence from Human Performance”, in Crossmodal Space and Crossmodal Attention, Charles Spence and Jon Driver (eds.), Oxford: Oxford University Press, 178–220. doi:10.1093/acprof:oso/9780198524861.003.0008 (Scholar)
- Eco, Umberto, 1977, “Semiotics of Theatrical
Performance”, The Drama Review: TDR, 21(1): 107–117.
doi:10.2307/1145112 (Scholar)
- Elam, Keir, 1980, “Foundations: Signs in the
Theatre”, in his The Semiotics of Theatre and Drama,
London and New York: Routledge, 4–27. (Scholar)
- Fine, Kit, 2012, “What Is Metaphysics?”, in Contemporary Aristotelian Metaphysics, Tuomas E. Tahko (ed.), Cambridge: Cambridge University Press, 8–25. doi:10.1017/cbo9780511732256.003 (Scholar)
- Fischer-Lichte, Erika, 1983 [1992], Semiotik des
Theaters, Tübingen: Gunter Narr Verlag. Translated and
abridged as The Semiotics of Theater, Bloomington, IN:
Indiana University Press, 1992. (Scholar)
- Fuchs, Elinor, 1986, “Presence and the Revenge of Writing:
Re-Thinking Theatre after Derrida”, Performing Arts
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- Garner, Staunton B., 1994, Bodied Spaces: Phenomenology and Performance in Contemporary Drama, Ithaca, NY: Cornell University Press. (Scholar)
- Ghosh, Manomohan (trans), 1951, The Nāṭyaśāstra: A Treatise on
Hindu Dramaturgy and Histrionics, 2 volumes, Calcutta: Asiatic
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- Goffman, Erving, 1959, The Presentation of Self in Everyday
Life, New York: Doubleday. (Scholar)
- Golden, Leon, 1973, “The Purgation Theory of Catharsis”, The Journal of Aesthetics and Art Criticism, 31(4): 473–479. doi:10.2307/429320 (Scholar)
- Goldstein, Thalia R. and Paul Bloom, 2011, “The Mind on
Stage: Why Cognitive Scientists Should Study Acting”, Trends
in Cognitive Sciences, 15(4): 141–142.
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- Goodman, Nelson, 1968, Languages of Art: An Approach to a Theory of Symbols, Indianapolis, IN: Bobbs-Merrill. (Scholar)
- Grotowski, Jerzy, 1968 [2002], Towards a Poor Theatre,
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- Hackett, Paul M. W., 2017, “A Mapping Sentence for Understanding the Genre of Abstract Art Using Philosophical/Qualitative Facet Theory”, Frontiers in Psychology, 8: 1731. doi:10.3389/fpsyg.2017.01731 (Scholar)
- Hamilton, James R., 2007, The Art of Theater, New York: Wiley-Blackwell. (Scholar)
- –––, 2009a, “The Text-Performance Relation in Theater”, Philosophy Compass, 4(4): 614–629. (Scholar)
- –––, 2009b, “Drama”, A Companion to Aesthetics, second edition, Stephen Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker, David E. Cooper (eds.), Oxford: Blackwell Publishing Company, pp. 78–82. (Scholar)
- –––, 2013, “Acting”, Journal of
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- Hazlett, Allan, 2012, “Against Repeatable Artworks”,
in Art and Abstract Objects, Christy Mag Uidhir (ed.),
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- Hopkins, Robert, 2007, “Critical Reasoning and Critical Perception”, in Knowing Art: Essays in Aesthetics and Epistemology, Matthew Kieran and Dominic McIver Lopes (eds.), Dordrecht: Springer Netherlands, 137–153. doi:10.1007/978-1-4020-5265-1_10 (Scholar)
- Hume, David, 1757 [1997], “Of the Standard of Taste”, in Four Dissertations, London: A. Millar. Reprinted in Aesthetics: The Classic Readings, D. E. Cooper (ed.), Oxford: Blackwell, pp. 76–93. (Scholar)
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