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- Bonnie L. Angelone, Daniel T. Levin & Daniel J. Simons (2003). The Relationship Between Change Detection and Recognition of Centrally Attended Objects in Motion Pictures. Perception 32 (8):947-962.
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Philosophy of Motion Pictures is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address.
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