Abstract

That narrative language has the ontological status of being an object; that it is opaque; that it is self-referential; that it is intentional and, hence, intrinsically aestheticist; that the narrative meaning of an text is undecidable in an important sense of that word and even bears the marks of self-contradiction; that narrative meaning can only be identified in the presence of other meaning ; that as far as narrative meaning is concerned the text refers, but not to a reality outside itself; that criteria of truth and falsity do not apply to historical representations of the past; that we can only properly speak of causes and effects at the level of the statement; that narrative language is metaphorical and as such embodies a proposal for how we should see the past; that narrative representations of the past have a tendency to disintegrate; all these postmodernist claims can be given a formal or even "modernist" justification if we are prepared to develop a philosophical logic suitable for dealing with the narrative substance