Online research in philosophy

The presence of spatial patterns of activity in the brain is suggestive of image-exploiting processes in vision and mental imagery, but not conclusive. Only behavioral evidence can confirm or disconfirm hypotheses about whether, and how, the brain uses images in its information-processing, and the arguments based on such evidence are still inconclusive.

In an article entitled ?The Ontological Status of Mental Images?, Robert Audi rejects the view presented in Hannay's Mental Images: A Defence, and proposes ?the property account of imaging? as an alternative. Some of the strengths and weaknesses of Audi's proposal are discussed, and a more detailed and specific version of the property account offered; it is suggested that imaging ? should be described as entertaining the thought that if one were looking at (or smelling, touching, hearing, etc.) x, things would appear ?

This paper explores the question whether an adequate account of the facts about imagination and mental imagery must construe mental images as objects. Much of the paper is a study of Alastair Hannay's defense of an affirmative answer in his wide?ranging study, Mental Images ? A Defence. The paper first sets out and evaluates Hannay's case. The second part develops an alternative account of mental images, including non?visual images, which Hannay does not treat in detail. The alternative account is analogous to the adverbial theory of perception; and it is suggested how this account, without construing mental images as objects, might accommodate the data from which Hannay argues for their objecthood.

Reissue from the classic Muirhead Library of Philosophy series (originally published between 1890s - 1970s).

In "Propositions about Images" Philip Cam accurately analyzes and criticizes the grounds I gave, in the works he cites, for my denial that we have privileged access (of any sort) to anything deserving to be called a mental image. He shows that I did not deal properly with the question of how I would interpret the ostensive force of "this" and "that" in an introspective judgment of the sort: "Now it looks like this and now it looks like that." What can one be ostending or referring to in such a case, if not to an image (or some feature of an image)?