Abstract

The Shroud of Turin is one of the most studied and controversial artifacts. To better understand the reasons for this impossible consensus, we focus on a specific point in the ongoing historical debate: the alleged relationship between the Shroud of Turin and the Pray Codex, the first illuminated manuscript in Hungarian named after the eighteenth-century Jesuit György Pray (1723–1801). Scholars have often compared the characteristics of a miniature in the Pray Codex, commonly dated circa 1192–1195, with the features of the Turin Shroud. The comparison of the Pray Codex with the Shroud of Turin makes the position that the Turin Shroud has absolutely no direct or indirect link with the Pray Codex untenable. It can be said with confidence that the miniaturist of the Pray Codex probably had a direct or indirect link with the Shroud of Turin.