Self-expression, expressiveness, and sincerity
Acta Analytica 25 (1):71-79 (2010)
| Abstract | This paper examines some aspects of Mitchell Green’s account of self-expression. I argue that Green fails to address the distinction between success and evidential notions of expression properly, which prevents him from adequately discussing the relation between these notions. I then consider Green’s explanation of how a speech act shows what is within, i.e., because of the liabilities one incurs and argue that this is false. Rather, the norms governing speech acts and liabilities incurred give us reason to think that the speaker is in a particular state of mind. It thus supports an evidential rather than success notion. Finally, I suggest that it is because of the sincerity of what is said, rather than the liabilities incurred, that you show what is within. | |||||||||
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Lauren Bialystok (2011). Refuting Polonius: Sincerity, Authenticity, and 'Shtick'. Philosophical Papers 40 (2):207 - 231.
Servaas de V. van der Berg (forthcoming). Towards Defending a Semantic Theory of Expression in Art: Revisiting Goodman. South African Journal of Philosophy.
Michael Ridge (2006). Sincerity and Expressivism. Philosophical Studies 131 (2):487 - 510.
M. G. F. Martin (2010). Getting on Top of Oneself: Comments on Self-Expression. Acta Analytica 25 (1):81-88.
Joseph G. Moore (2010). Artistic Expression Goes Green. Acta Analytica 25 (1):89-103.
Mitchell S. Green (2007). Self-Expression. Oxford University Press.
John Hospers (1971). Artistic Expression. New York,Appleton-Century-Crofts.
Richard Moran (2005). Problems of Sincerity. Proceedings of the Aristotelian Society 105 (3):341–361.
John Eriksson (2011). Straight Talk: Conceptions of Sincerity in Speech. Philosophical Studies 153 (2):213-234.
Mitchell S. Green (2009). Speech Acts, the Handicap Principle and the Expression of Psychological States. Mind and Language 24 (2):139-163.
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