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Musicians are more consistent: Gestural cross-modal mappings of pitch, loudness and tempo in real-time
Frontiers in Psychology 5 (2014)
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Citations of this work
Elucidating the influences of embodiment and conceptual metaphor on lexical and non-speech tone learning.Laura M. Morett, Jacob B. Feiler & Laura M. Getz - 2022 - Cognition 222 (C):105014.
Cross-modal Association between Auditory and Visuospatial Information in Mandarin Tone Perception in Noise by Native and Non-native Perceivers.Beverly Hannah, Yue Wang, Allard Jongman, Joan A. Sereno, Jiguo Cao & Yunlong Nie - 2017 - Frontiers in Psychology 8.
Correspondences Between Music and Involuntary Human Micromotion During Standstill.Victor E. Gonzalez-Sanchez, Agata Zelechowska & Alexander Refsum Jensenius - 2018 - Frontiers in Psychology 9.
References found in this work
Forms of Vitality: Exploring Dynamic Experience in Psychology, the Arts, Psychotherapy, and Development.Daniel N. Stern - 2010 - Oxford University Press.
Spatial representation of pitch height: the SMARC effect.E. Rusconi, B. Kwan, B. Giordano, C. Umilta & B. Butterworth - 2006 - Cognition 99 (2):113-129.
Beethoven’s last piano sonata and those who follow crocodiles: Cross-domain mappings of auditory pitch in a musical context.Zohar Eitan & Renee Timmers - 2010 - Cognition 114 (3):405-422.
Cross-modal interactions in the perception of musical performance.Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley & Daniel J. Levitin - 2006 - Cognition 101 (1):80-113.
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