David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Proceedings of the Aristotelian Society 102 (2):141–162 (2002)
The paper considers what kinds of things are musical, literary, pictorial and sculptural works, how they relate to physical objects or abstract types, and what their identity and survival conditions are. Works are shown to be cultural objects with essential intentional and relational properties. These essential properties are connected to conditions of production and conditions of reception, of both a generic and work-specific kind. It is argued that work-identity is value-laden, whereby essential to the survival of a work is the quality of the experience the work affords. However, the overall stance is realist, defending the view that works are real, perceivable, and objectively characterisable
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Citations of this work BETA
Jonathan Gilmore (2011). A Functional View of Artistic Evaluation. Philosophical Studies 155 (2):289-305.
Andrea Sauchelli (2013). Modal Fictionalism, Possible Worlds, and Artificiality. Acta Analytica 28 (4):411-21.
M. W. Rowe (2012). The Problem of Perfect Fakes. Royal Institute of Philosophy Supplement 71:151-175.
Christy Mag Uidhir (2011). Minimal Authorship (of Sorts). Philosophical Studies 154 (3):373-387.
Christy Mag Uidhir (2011). Minimal Authorship (of Sorts). Philosophical Studies 154 (3):373 - 387.
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