Abstract

During the 17th century, important conventions for the visual representation of the Earth as a whole were established by writers of Theories of the Earth. This essay examines how the emergence of visual representations contributed to the establishment of a new print tradition of multicontextual discourse and critical debate. Four vignettes contrast varying uses of global depictions: the incidental global depictions and mathematical vision of Johannes Kepler; the cosmogonic sections and chemical vision of Robert Fludd; the geogonic sections and mechanical vision of René Descartes; and the global views and classical vision of Thomas Burnet. The continuities of visual conventions and the contrasts of disciplinary perspectives and local contexts observed in these vignettes conforms well to the characterization of Theories of the Earth as an interdisciplinary print tradition.