Angkor: An Essay on Art and ImperialismOn the Future of ArtA Phenomenological Analysis of Musical Experience and Other Related Essays

, , &
Journal of Aesthetics and Art Criticism 29 (4):569 (1971)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.2307/429231

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,475

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Musical understanding: studies in philosophy and phenomenological psychology.Shawn Raja Akbar - unknown
Lived Music- Multi-dimensional Musical Experience: Implication for Music Education.Cecilia Ferm Thorgersen - 2013 - Philosophy Study 3 (12).
Foundational aspects of musical perception: A phenomenological analysis.Alfred Pike - 1974 - Philosophy and Phenomenological Research 34 (3):429-434.
Character and characterization in musical performance: Effects of sensory experience upon meaning.Alexandra Pierce - 1995 - In Eero Tarasti (ed.), Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Mouton de Gruyter. pp. 121--285.
Fenomenologia, coscienza Del tempo E analisi musicale.Augusto Mazzoni - 1995 - Axiomathes 6 (2):227-249.
Toward an Understanding of the Human Musical Experience: A Comparison of Perception, Theory, and Analysis in Works by Judith Lochhead, Fred Lerdahl and Ray Jackendoff, and David Lewin. ;.Dorothy Elliston Hindman - 1994 - Dissertation, University of Miami
The representational content of musical experience.Mark DeBellis - 1991 - Philosophy and Phenomenological Research 51 (June):303-24.
The phenomenological approach to musical perception.Alfred Pike - 1966 - Philosophy and Phenomenological Research 27 (2):247-254.
Musical Transformation and Musical Intuition: Eleven Essays in Honor of David Lewin.Raphael Eric Atlas & Michael Cherlin - 1994
Experience and History.David Carr - 2012 - In Dan Zahavi (ed.), The Oxford handbook of contemporary phenomenology. Oxford: Oxford University Press.
On the genesis of the musical sign.Vladimir Karbusicky - 1995 - In Eero Tarasti (ed.), Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Mouton de Gruyter. pp. 121--229.
The Varieties of Musical Experience.Brandon Polite - 2014 - Pragmatism Today 5 (2):93-100.
Performative musical acts: The verdian achievement.Marco Beghelli - 1995 - In Eero Tarasti (ed.), Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Mouton de Gruyter. pp. 393--412.
Intonation as a speciļ¬c form of musical semiosis.Jaroslav Jiranek - 1995 - In Eero Tarasti (ed.), Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Mouton de Gruyter. pp. 121--155.
Replies. [REVIEW]John Martin Fischer - 2009 - Philosophy and Phenomenological Research 80 (1):267-278.

Analytics

Added to PP
2015-02-02

Downloads
17 (#860,469)

6 months
2 (#1,202,576)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references