Avtar Brah (AB) was interviewed by Les Back (LB) on 3 July 2009 at a colloquium held to mark her retirement where, inter alia, her work was discussed. The interview is a reflection on her politics, activism and scholarship. It touches on some key moments of her life.

Using, as a point of departure, Tim Lott's recent autobiography where he attempts to make sense of his mother's suicide of 1988 through a reconstruction of his family genealogy, this article tries to map the production of gendered, classed, and racialized subjects and subjectivity in west London. It addresses the tension between Lott's discourse of his own white working-class boyhood during the 1970s where questions of ‘race’ are all but absent, and the racialized ‘commonsense’ that pervades the interviews with other (...) local white contemporaries of Lott and his parents. These narratives are analysed in relation to the socio-economic context and the political activism of the period. Theoretically, it analyses the ‘diaspora space’ of London/britain, interrogating essentialist ‘origin stories’ of belonging; reaching out to a glimmer on the horizon of emerging non-identical formations of kinship across boundaries of class, racism, and ethnicity; and exploring the purchase of certain South Asian terms – ‘ajnabi’, ‘ghair’, and ‘apna/apni’ – in constructing a non-binarized understanding of identification across ‘difference’. (shrink)

Analysing some of the key discourses of ‘globalization’ and their relationship to global/local processes of gender, the article makes a distinction between the ‘global’ and ‘globalization’, such that the latter is seen as only one dimension of the ‘global’. Globalization is understood as comprising complex and contradictory phenomena with diverse and differential impact across distinct categories of people, localities, regions and hemispheres. Hence, the notion of being straightforwardly ‘for’ or ‘against’ globalization is problematized. The essay explores media response to a (...) major global event — the bombing of the World Trade Center in New York and the Pentagon in Washington DC on 11 September — in terms of the ‘agenda setting’ role of the US's ‘mainstream’ national television news coverage in the aftermath of the first two weeks. A subsequent peace rally, the ‘International Day Against War and Racism’, held in Washington DC, is analysed as the site for the emergence of a new oppositional political subject in the current context. The article underscores the importance of addressing ‘intersectionality’ to a critical imagination. (shrink)

On 3 August 2012, Shafilea Ahmed’s parents were convicted of her murder, nine years after the brutal ‘honour’ killing. The case offers important insights into how ‘honour’-based violence might be tackled without constructing non-Western cultures as inherently uncivilised. Critiquing the framing devices that structure British debates about ‘honour’-based violence demonstrates the prevalence of Orientalist tropes, revealing the need for new ways of thinking about culture that do not reify it or treat it as a singular entity that can only be (...) tackled in its entirety; instead, it is important to recognise that cultures consist of multiple, intersecting signifying practices that are continually ‘creolising’. Thus, rather than talking purely about culture, debates on ‘honour’-based violence should explore the intersection of culture with gender and other axes of differentiation and inequality. (shrink)

The following draws out a few points that suggest an inner coherence in the midst of the rich diversity of questions Avtar Brah addresses. One critical factor is that Brah's work appears at a specific historical ‘moment’ — a simultaneously political, historical and theoretical conjuncture — the diasporic. The diaspora — as an emergent space and an interpretive frame — unpicks the claims made for the unities of culturally homogeneous, racially purified identities, and constitutes the moment of (...) the problematic of the subject — when critical thought comes face to face with the perplexing interface between the social and the psychic. Brah confronts the necessarily complex and contradictory specificities of differentiated subjectivities in the diasporic frame within a distinct ‘methodology’ — analytic and interpretive. The very structures ‘out there’, which have so often been thought of as determining, are understood as themselves providing frameworks of meaning, as having an internal psychic and discursive dimension. Avtar Brah is one of the few who have begun to capture such a double inscription through ongoing research. Such is particularly evident in ‘The Scent of Memory’, and it is through a reading of that essay that Brah's distinct ‘methodology’ is presented — an approach which is sensitive to the always already contradictory condition of ‘reality’. What I suggest of Brah's ‘methodology’ is that it is a practice that has significant consequences for the meaning and value placed on social contexts, for the ‘presence’ and ‘absence’ of information and knowledge in interpretation and analysis, a practice that we might call diasporic reasoning. (shrink)

Inspired by and responding to Avtar Brah's ‘The Scent of Memory’, this piece attempts to reinscribe race into an auto-ethnographic narrative where previously whiteness was unmarked. It explores the dynamics of gender, race and class through the author's personal history as a white English woman and class migrant, and through discussion of the broader political and historical context of that trajectory. The discussion includes analysis of the impact of British Conservative politician Enoch Powell's infamous ‘rivers of blood’ speech (...) in 1968 on the author's white English working-class culture of origin in Wolverhampton, where Powell was a Member of Parliament. The article considers the speech's continuing ramifications in the twenty-first century and in more middle-class contexts, as evidenced by the recent evocation of the speech by historian David Starkey in discussion of the ‘riots’ of August 2011 in British cities. The personal history is reconstructed through a series of memory scenes that trace and retrace the author's experience and understanding of race and its intersections with class and gender; this is attempted in full cognisance of the constructed nature of memory, and of the performance of identity that autobiography entails. The piece draws on the work of the class migrant white French writer Annie Ernaux, with whom the author has been in dialogue since 1997. (shrink)

This paper takes up Avtar Brah's (1999) invitation to write back to the issues she raises in her mapping of the production of gendered, classed and racialised subjectivities in west London. It addresses two topics that, together, illuminate racialised and gendered interpellation and psychosocial processes. The paper is divided into two main sections. The first draws on empirical research on the transition to motherhood conducted in east London to consider one mother's experience of giving birth in the local (...) maternity hospital. The maternity ward constituted a site where racialised difference became salient, leading her to construct her maternal identity by asserting her difference from Bangladeshi mothers and so self-racialising, as well as ‘othering’ Bangladeshi mothers. The paper analyses the ways in which her biography may help to explain why her experience of the maternity hospital interpellates her into racialised positioning. The second section focuses on media responses to the riots in various English cities in August 2011. It examines the ways in which some media punditry racialised the riots and inclusion in the British postcolonial nation. The paper analyses three sets of commentaries and illuminates the ways in which they racialise the debate in essentialising ways, reproducing themes that were identified in the 1980s as ‘new racism’ and apportioning blame for the riots to ‘black gangster culture’. While these media pronouncements focus on racialisation, they are intersectional in implicitly also invoking gender and social class. The paper argues that the understanding of the mother's self-racialisation is deepened by a consideration of the racialised discourses that can be evoked (and are contested) in periods of social unrest. The paper thus draws on part of the methodology of ‘The Scent of Memory’ in layering media readings and biographical narratives to analyse the contemporary psychosocial space of racialisation. (shrink)

In recent years, there has been an increasing interest in the role of collective memory in ethno-national projects. In addition, there has been an expansion of research utilising memory work and auto/biographical methods, which have been particularly effective in the writing of feminists of colour. The paper is prompted by a return to Avtar Brah's ‘The Scent of Memory’ that it uses as a starting point to explore the relationships between competing accounts of ‘private’ memories of racialisation that (...) come from mixed-race siblings growing up in a mainly white town. Drawing on interviews, the paper uses familial narratives and their individual telling, to show how sense is made of divergent experiences and memories of childhood and teenage in 1960s and 1970s Britain. The paper shows how narrative accounts are often negotiated through multiple senses, revealing them as both imagined and recalled, contested and negotiated. The paper considers the strengths and limitations of narrative analysis in understanding the relationship between individual and collective memories at both national and familial levels. It argues that the ways in which the social and personal memories are connected in the processes of subjectivation are unstable and opaque, and can only ever be partially known through the process of narrativisation. (shrink)

This article focuses on the work of Black and Asian women playwrights in Britain and examines their position as constitutive subjectivities in contemporary British culture. It suggests that recent developments in theatre studies such as the emphases on the postcolonial, intercultural, world theatre and performance art, which have emerged simultaneously with these playwrights’ work and might have offered some critical reception of their work, have not done so because of their maintenance of a colonial cultural imaginary that is more engaged (...) with the elsewhere and the ‘other’ than with the here and now and the diasporic reality of contemporary Britain. Utilizing Avtar Brah’s concept of the ‘diaspora space’, the article argues that Black and Asian women playwrights’ work in Britain not only demands an interrogation of British theatre as a ‘white’ space but also asks that we accept Britain as a diasporic space. (shrink)

This provocative, interdisciplinary, and transnational collection delves deeply into the educational and public intellectual hallmarks of Stuart M. Hall, a core figure in the development of the post-War British New Left, of Cultural Studies at the Centre for Contemporary Cultural Studies and later, of the Open University. It opens new vistas on both critical educational studies and cultural studies through interviews with, and essays by, leading writers, shedding light on the under-appreciated public pedagogical and cultural politics of the New Left, (...) of Thatcherism, and of Rightist, neo-colonial, diasporic, and neo-liberal formations in Jamaica, the UK, Australia, North America, and Brazil. Intimate and moving, the contributors describe Hall’s diasporic formation as a courageous ‘artist’ and educator of cultural politics and social movements, showing both the reach and the relevance of his public pedagogies in the construction of alternatives to essentialist racial politics and the despairing cynicism of neo-liberalism. With contributors and interviewees including Leslie G. Roman, Michael W. Apple, Avtar Brah, John Clarke, Annette Henry, Lawrence Grossberg, Luis Gandin, and Fazal Rizvi, _Hallmarks: The Cultural Politics and Public Pedagogies of Stuart Hall_ reveals that neither cultural politics nor public pedagogies are stable or self-evident constructs. Each legitimates and requires the other as part of a longer radical democratic project for social justice. This book was originally published as a special issue of _Discourse: Studies in the Cultural Politics of Education. _. (shrink)

In her 1999 article ‘The Scent of Memory’, Avtar Brah maps the ways in which gendered, classed and racialised identities and subjectivities are produced in the diaspora space of Britain. ‘The Scent of Memory’ begins, repeatedly returns to and ends with the figure of a mother — Jean, a white English woman in the Southall of the 1970s and 1980s. One way of reading this article is as a series of interruptions, each of which allows us to see (...) Jean differently, to replace her in what Brah has memorably termed the entanglement of genealogies of dispersion with those of staying put. In this article, I stage my own set of speculative interruptions, through which recent feminist theorising of maternal subjectivities confronts the ways in which the maternal and the reproductive are conceptualised, metaphorised and mobilised in contemporary accounts of community cohesion, Britishness and belonging. At stake is our ability to challenge those still-dominant discourses that naturalise repetition and sameness as the necessary ground of belonging, obscuring and ignoring the gendered, racialised and other differences that mark Britishness, and which thereby reproduce the migrant and the minoritised as a problem for the stability of British identities. Following on from and extending Lisa Baraitser's claim that thinking about the relationship with the other ‘might just as well start with the mother’, I ask whether rethinking the reproductive can enable a more complex account of the ways in which ‘the native’ is transformed in diaspora spaces. (shrink)

This article excavates a discussion on the mediations that informed the making of the film Aaj Kaal by Asian elders, in a project directed by Avtar Brah and coordinated by Jasbir Panesar with the film trainer Vipin Kumar. It brings this largely unknown and inventive film to the foreground of current developments in participative media research practices. The discussion explores the coming together of the ethnographic imagination and performative pedagogies during the course of an adult education community project (...) centred on South Asian elders making a film. Collaborative dialogic encounters illuminate post-war British front rooms, the seaside and public spheres from what is usually an unlikely vantage point of view in public accounts. (shrink)

Traibhumikatha hru'traibhumi brah rvn. Fine Arts Dept, Bangkok. B.E. 2526.

ABSTRACT -/- Ayurveda is science of living being with an aim to live healthy life and curing of ailments. Arogyata (healthy life) is root to achieve the purushartha chatushtaya which are dharma(religious rituals), artha, kama and moksha. Kama in society is taken in sexual lust but Vatsayan has described kama as the enjoyment of appropriate objects by the five senses of hear- ing, feeling, seeing, tasting, and smelling, assisted by the mind together with the soul. The ingre- dient in this (...) is a peculiar contact between the organ of sense and its object, and the consciousness of pleasure which arises from that contact is called Kama. A well organised, controlled form of kama comes under brahmacharya. Acharya Charaka has specified brahmacharya among three subpillars which assists in healthy living being. Brahmacharya leads to conservation of shukra dhatu which is essence of ahara. This shukra dhatu is responsible for bala, virya, yash, dhairya, preeti. Development of these qualities assists higher faculty buddhi or pragya not to indulge in pragyaparadh leading to correct decisionary power and patience. Healthy state of mind is achieved with this brahmacharya. Through this paper a review over various parameters of brah- macharya have been discussed and concluded. -/- Keywords: Kama, dhairya, pragyaparadh, health, shukra dhatu. (shrink)

This attempt to develop an indigenous reading of feminism as both activism and discourse in the Caribbean is informed by my own preoccupation with the limits of contemporary postmodern feminist theorizing in terms of its accessibility, as well as application to understanding the specificity of a region. I, for instance, cannot speak for or in the manner of a white middle-class academic in Britain, or a black North American feminist, as much as we share similarities which go beyond the society, (...) and which are fuelled by our commitment to gender equality. At the same time, our conversations are intersecting as a greater clarity of thought emerges in relation and perhaps in reaction to the other. Ideas of difference and the epistemological standpoint of ‘Third World’ women have been dealt with admirably by many feminist writers such as Chandra Mohanty, Avtah Brah and Uma Narayan. In this article I draw on the ideas emerging in contemporary western feminist debates pertaining to sexual difference and equality and continue my search for a Caribbean feminist voice which defines feminism and feminist theory in the region, not as a linear narrative but one which has continually intersected with the politics of identity in the region. (shrink)