Abstract

This paper deals with the problem of the origin of sense and meaning. For Husserl, the determination of the ideal identity of something new can only take place retroactively in the totality of the preceding series by stepping back towards the original foundation of sense. In this regard, J. Derrida questions the ideality of the same as presence and the possibility of retrieving any arché of sense in his writings Speech and Phenomena and Edmund Husserl’s Origin of Geometry. Phenomenology is not oblivious to these difficulties, as results from a closer reading of the correlation between idealities and sensory experience: It will show that there are at least four interrelated gaps in the Husserlian phenomenology which testify the difficulty in grasping a retraceable arché of sense. First, the gap between the ideality of sense and its representation. Second, the gap between sensory and categorial intuitions, whereby both exceed one another. Third, the gap between the ideality of sense and the sense which exceeds our expectations. Fourth, the gap between the experience of the new that overcomes us and its apprehension by consciousness. Hence, there is a fundamental gap between the conceptual idealities and the essential indeterminacy of our phenomenological sensory experience, which is correlative to an excess of one in respect to the other. In this sense, Derrida’s concepts of « différance » and “invention” allow us to conceive of this self-givenness of sense as the expression of its constant self-renewal. This expression takes the form of a trace, which, neither present nor absent, suspends meaning and full presence, leaving the narrative “open” for the reinvention of sense.