Ethics and the Environment 13 (1):pp. 105-119 (2008)
| Abstract |
The picturesque is usually interpreted as an admiration of 'picture-like,' and thus inauthentic, nature. In contrast, this paper sets out an interpretation that is more in accord with the contemporary love of wildness. This paper will briefly cover some garden history in order to contextualize the discussion and proceed by reassessing the picturesque through the eighteenth century works of Price and Watelet. It will then identify six themes in their work (variety, intricacy, engagement, time, chance, and transition) and show that, far from forcing a 'picture-like' stereotype on nature, the picturesque guided the way for a new appreciation of wildness—one that resonates with contemporary environmental philosophy.
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| DOI | 10.2979/ETE.2008.13.1.105 |
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References found in this work BETA
Eco-Phenomenology: Back to the Earth Itself.Charles S. Brown & Ted Toadvine (eds.) - 2003 - State University of New York Press.
The Aesthetics of Environment.Arnold Berleant - 1994 - Journal of Aesthetics and Art Criticism 52 (4):477-480.
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Citations of this work BETA
It Takes a Garden Project: Dewey and Pudup on the Politics of School Gardening. Ralston - 2011 - Ethics and the Environment 16 (2):1-24.
Aesthetic Appreciation of Nature and Environmentalism.Allen Carlson - 2011 - Royal Institute of Philosophy Supplement 69:137-155.
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