How can environmental philosophy benefit from Friedrich Nietzsche's radical critique of morality? In this paper, it is argued that Nietzsche's account of nature provides us with a challenging diagnosis of the modern crisis in our relationship with nature. Moreover, his interpretation of wildness can elucidate our concern with the value of wilderness as a place of value beyond the sphere of human intervention. For Nietzsche, wild nature is a realm where moral valuations are out of order. In his work, however, (...) we can discern a paradoxical moral concern with this wildness. Wildness is a critical moral concept that reminds us of the fact that our moral world of human meanings and goals ultimately rests on a much grander, all-encompassing natural world. Nietzsche's concept of wildness acknowledges the value of that which cannot be morally appropriated. Wild nature confronts us with the limits of human valuing. Wildness as a concept thus introduces the 'beyond' of culture into the cultural arena of values. (shrink)

The concept of wildness not only plays a role in philosophical debates, but also in popular culture. Wild nature is often seen as a place outside the cultural sphere where one can still encounter instances of transcendence. Some writers and moviemakers contest the dominant romanticized view of wild nature by telling stories that somehow show a different harsher face of nature. In encounters with the wild and unruly, humans can sometimes experience the misfit between their well-ordered, human-centered, self-created world view (...) and the otherness of nature, and in doing so face, what Plumwood calls, “the view from the outside.” Three films—Gerry, Into the Wild, and Grizzly Man—deal with contemporary encounters with wildness. What these works have in common is the central theme of modern humans who are fascinated by wild nature and seek experiences unknown to those limited to the overly cultivated life (psyche) of modern society. Another connecting theme, however, is that any idealization of wildness is in itself deeply problematic. All three films have fatal endings, which in turn fascinates the contemporary viewers. These films show, first, that wildness is conceived as a moral counterforce against the overly civilized world; and, second, that fascination with this wildness has itself become thoroughly reflexive, and. (shrink)

The concept of wildness not only plays a role in philosophical debates, but also in popular culture. Wild nature is often seen as a place outside the cultural sphere where one can still encounter instances of transcendence. Some writers and moviemakers contest the dominant romanticized view of wild nature by telling stories that somehow show a different harsher face of nature. In encounters with the wild and unruly, humans can sometimes experience the misfit between their well-ordered, human-centered, self-created world view (...) and the otherness of nature, and in doing so face, what Plumwood calls, “the view from the outside.” Three films—Gerry, Into the Wild, and Grizzly Man—deal with contemporary encounters with wildness. What these works have in common is the central theme of modern humans who are fascinated by wild nature and seek experiences unknown to those limited to the overly cultivated life (psyche) of modern society. Another connecting theme, however, is that any idealization of wildness is in itself deeply problematic. All three films have fatal endings, which in turn fascinates the contemporary viewers. These films show, first, that wildness is conceived as a moral counterforce against the overly civilized world; and, second, that fascination with this wildness has itself become thoroughly reflexive, and. (shrink)

Milieufilosofisch Nederland wordt momenteel verdeeld door een controverse naar aanleiding vanrecente publicaties van de Wageningse filosofen Keulartz en Korthals. In dit artikel wil ik - aande hand van een analyse van het gebruik van het natuurbegrip bij Wim Zweers - laten zien dat Keulartz op een tot nu toe onderbelicht probleem wijst: het probleem van de veelheid vannatuurbeelden. Tegelijkertijd wil ik echter aantonen dat Keulartz' eigen, 'post-naturalistische' positie op een tegenspraak berust. Tenslotte geef ik aan hoe deze controverses zijn terug (...) tevoeren op een onvermijdelijke spanning in onze morele omgang met de natuur, en zoek ik naar een manier waarop deze spanning binnen de milieu-ethiek vruchtbaar kan worden gemaakt. (shrink)

In this text, I discuss the environmental education project "Legible Landscape ", which aims to teach inhabitants to read their landscape and develop a closer, more engaged relationship to place. I show that the project's semiotic perspective on landscape legibility tends to hamper the understanding of the moral dimension of reading landscapes, and argue that a hermeneutical perspective is better suited to acknowledge the way that readers and texts are intimately connected.

In “Why Not NIMBY?” Derek Turner and Simon Feldman fail to address that many NIMBY protesters are not just concerned with concrete decision making, but also introduce a ‘metaphysical’ issue that liberal-democracy considers an inappropriate subject for the political debate. The type of rationality dominating political discourse requires one to reason in terms of 'common good' or personal preferences that can be weighted against other preferences. NIMBY’s do neither; rather they reframe the debate, starting from a radically different approach to (...) the meaning of place that questions the very notion that particular places can be compared. (shrink)

In this paper, I offer a systematic inquiry into the significance of Nietzsche’s philosophy to environmental ethics. Nietzsche’s philosophy of nature is, I believe, relevant today because it makes explicit a fundamental ambiguity that is also characteristic for our current understanding of nature. I will show how the current debate between traditional environmental ethics and postmodern environmental philosophy can be interpreted as a symptom of this ambiguity. I argue that, in light of Nietzsche’s critique of morality, environmental ethics is a (...) highly paradoxical project. According to Nietzsche, each moral interpretation of nature implies a conceptual seizure of power over nature. On the other hand, Nietzsche argues, the concept of nature is indispensable in ethics because we have to interpret nature in order to have a meaningful relation with reality. I argue that awareness of this paradox opens a way for a form of respect for nature as radical otherness. (shrink)

Een respectvolle houding ten opzichte van de natuur houdt noodzakelijkerwijs ook een zekere distantie in. -/- ('The silence of nature') If we pretent to speak with nature's voice or in on nature's behalf we risk ventriloguising. A respectful attitude towards nature also requires acknowledging the distance between us and nature, recognize that nature does not speak. But nature's silence does have something to say to us. In this paper, I analyze the debate in Dutch environmental philosophy between moral realism of (...) Wim Zweers and Wouter Achterberg, and the social constructivist position of Jozef Keulartz and others. It is argued that even though social constructivists rightfully argue (against moral realism) that there exist multiple moral interpretations of the meaning of nature, that does not mean that 'nature does not exist'. This paper instead argues that a hermeneutic environmental ethic can do justice both to the fact that meanings of environment are culturally mediated and yet also do justice to the moral experience that 'nature' has moral weight. (shrink)

The creation of new wetlands along rivers as an instrument to mitigate flood risks in times of climate change seduces us to approach the landscape from a 'managerial' perspective and threatens a more place-oriented approach. How to provide ecological restoration with a broad cultural context that can help prevent these new landscapes from becoming nonplaces, devoid of meaning and with no real connection to our habitable world. In this paper, I discuss three possible alternative interpretations of the meaning of places (...) and place attachment in these ‘new nature’ projects, and show how all three imply a different view on human identity and history. (shrink)

A social scientific survey on visions of human/nature relationships in western Europe shows that the public clearly distinguishes not only between anthropocentrism and ecocentrism, but also between two nonanthropocentric types of thought, which may be called “partnership with nature” and “participation in nature.” In addition, the respondents distinguish a form of human/nature relationship that is allied to traditional stewardship but has a more ecocentric content, labeled here as “guardianship of nature.” Further analysis shows that the general public does not subscribe (...) to an ethic of “mastery over nature.” Instead, practically all respondents embrace the image of guardianship, while the more radical relationships of partnership and participation also received significant levels of adherence. The results imply that ethicists should no longer assume that the ethics of the public are merely anthropocentric. Finally, they call into question the idea of a single form of ecocentrism and favor a hermeneutic virtue ethics approach to the study of the interface between ethics and action. (shrink)

In this paper, I offer a systematic inquiry into the significance of Nietzsche’s philosophy to environmental ethics. Nietzsche’s philosophy of nature is, I believe, relevant today because it makes explicit a fundamental ambiguity that is also characteristic of our current understanding of nature. I show how the current debate between traditional environmental ethics and postmodern environmental philosophycan be interpreted as a symptom of this ambiguity. I argue that, in light of Nietzsche’s critique of morality, environmental ethics is a highly paradoxical (...) project. According to Nietzsche, each moral interpretation of nature implies a conceptual seizure of power over nature. On the other hand, Nietzsche argues, the concept of nature is indispensable in ethics because we have to interpret nature in order to have a meaningful relation with reality. I show that awareness of this paradox opens a way for a form of respect for nature as radical otherness. (shrink)

This is the first collection of essays in which European and American philosophers explicitly think out their respective contributions and identities as environmental thinkers in the analytic and continental traditions. The American/European, as well as Analytic/Continental collaboration here bears fruit helpful for further theorizing and research. The essays group around three well-defined areas of questioning all focusing on the amelioration/management of environmentally, historically and traditionally diminished landscapes. The first part deals with differences between New World and the Old World perspectives (...) on nature and landscape restoration in general, the second focuses on the meaning of ecological restoration of cultural landscapes, and the third on the meaning of the wolf and of wildness. It does so in a way that the strengths of each philosophical school—continental and analytic—comes to the fore in order to supplement the other’s approach. This text is open to educated readers across all disciplines, particularly those interested in restoration/adaptation ecology, the cultural construction of place and landscape, the ongoing conversation about wilderness, the challenges posed to global environmental change. The text may also be a gold mine for doctoral students looking for dissertation projects in environmental philosophy that are inclusive of continental and analytic traditions. This text is rich in innovative approaches to the questions they raise that are reasonably well thought out. The fact that the essays in each section really do resonate with one another directly is also intellectually exciting and very helpful in working out the full dimensions of each question raised in the volume. (shrink)

Environmental aesthetics crosses several commonly recognized divides: between analytic and continental philosophy, Eastern and Western traditions, universalizing and historicizing approaches, and theoretical and practical concerns. This volume sets out to show how these,perspectives can be brought into conversation with one another. The first part surveys the development of the field and discusses some important future directions. The second part explains how widening the scope of environmental aesthetics demands a continual rethinking of the relationship between aesthetics and other fields. How does (...) environmental aesthetics relate to ethics? Does aesthetic appreciation of the environment entail an attitude of respect? What is the relationship between the theory and practice? The third part is devoted to the relationship between the aesthetics of nature and the aesthetics of art. Can art help “save the Earth”? The final part illustrates the emergence of practical applications from theoretical studies by focusing on concrete case studies. (shrink)

In most rewilding projects, humans are still the agents in control: it is us who decide to no longer want to fully control nature. Spontaneous rewilding changes the nature of this game. Once we are confronted with species that have their own agency, that cannot fully be controlled, and that behave in ways that we do not always like, then it proves hard to co-exist and tolerate nature’s autonomy. Nowhere is this more clearly visible than with the resurging wolf, whose (...) return to parts of western Europe challenges our existing ideas about ourselves and our place in the landscape. (shrink)

In this paper, I offer a systematic inquiry into the significance of Nietzsche's philosophy to environmental ethics. Nietzsche's philosophy of nature is, I believe, relevant today because it makes explicit a fundamental ambiguity that is also characteristic of our current understanding of nature. I show how the current debate between traditional environmental ethics and postmodern environmental philosophy can be interpreted as a symptom of this ambiguity. I argue that, in light of Nietzsche's critique of morality, environmental ethics is a highly (...) paradoxical project. According to Nietzsche, each moral interpretation of nature implies a conceptual seizure of power over nature. On the other hand, Nietzsche argues, the concept of nature is indispensable in ethics because we have to interpret nature in order to have a meaningful relation with real ity. I show that awareness of this paradox opens a way for a form of respect for nature as radical otherness. (shrink)

In this paper, I offer a systematic inquiry into the significance of Nietzsche's philosophy to environmental ethics. Nietzsche's philosophy of nature is, I believe, relevant today because it makes explicit a fundamental ambiguity that is also characteristic of our current understanding of nature. I show how the current debate between traditional environmental ethics and postmodern environmental philosophy can be interpreted as a symptom of this ambiguity. I argue that, in light of Nietzsche's critique of morality, environmental ethics is a highly (...) paradoxical project. According to Nietzsche, each moral interpretation of nature implies a conceptual seizure of power over nature. On the other hand, Nietzsche argues, the concept of nature is indispensable in ethics because we have to interpret nature in order to have a meaningful relation with reality. I show that awareness of this paradox opens a way for a form of respect for nature as radical otherness. (shrink)

In 'Respect for Everything', David Schmidt rightfully criticizes species egalitarianism, buts neglects an even more fundamental problem. Ecocentric egalitarianism is not only self defeating, but in fact ultimately entails a morally dubious radical anthropocentrism. Perhaps the morally most troubling aspect of anthropocentrism is not its assumption that humans are superior to non-humans, but that what matters to human beings is true in an absolute sense. Taylor's argument that there are no valid moral reasons to consider humans superior, assumes that it (...) is in principle possible to compare the value of both humans and non-humans, and that it would make sense to use normative expressions such as ‘superior’ and ‘inferior’ objectively, e.g. outside the particular context of a human ethical outlook. Yet, evaluative concepts only have meaning within that context. To suggest that ethical concepts have meaning in an absolute sense, implies that the human moral perspective has absolute validity, and thus entails a radical form of anthropocentrism. (shrink)

Even though artists and philosophers sometimes succeed in finding words for the meaning that places can have for us, we can never fully identify the meaning that places have for us. Nicole Note is right in arguing (using the work of Arnold Burms) that the ineffable plays a key role in the meaningful relations we have with the world, and that the experience of meaning can only emerge if there is a real risk that it fails to appear. Therefore, meaning (...) cannot be ‘produced’. I have argued, however, that we can be confronted with a far more radical loss of meaning when most at first meaningful interpretations of place turn out to be consciously produced by marketeers and lobbyists. Yet, even this very feeling of estrangement can lead us to a sensitivity for the otherness of nature as a transcendental source of meaning. (shrink)

In this paper, I offer a systematic inquiry into the significance of Nietzsche’s philosophy to environmental ethics. Nietzsche’s philosophy of nature is, I believe, relevant today because it makes explicit a fundamental ambiguity that is also characteristic of our current understanding of nature. I show how the current debate between traditional environmental ethics and postmodern environmental philosophycan be interpreted as a symptom of this ambiguity. I argue that, in light of Nietzsche’s critique of morality, environmental ethics is a highly paradoxical (...) project. According to Nietzsche, each moral interpretation of nature implies a conceptual seizure of power over nature. On the other hand, Nietzsche argues, the concept of nature is indispensable in ethics because we have to interpret nature in order to have a meaningful relation with reality. I show that awareness of this paradox opens a way for a form of respect for nature as radical otherness. (shrink)

In moral debates about human’s relationship with nature, one often hears references to nature’s wildness. Apparently, postmodern city dwellers seem to be deeply fascinated by wild nature; for them, wildness somehow seems to have strong moral significance. How should we interpret this fascination? Moral meanings of nature come into play as soon as we start articulating our relationship with the world.In this process, we transform the neutrality of space into a meaningful place, that is, through interpretation we make mere environment (...) into a meaningful and inhabitable world that we can live in. However, there is something peculiar with experiences of wild nature that seems to go beyond this hermeneutical framework. The word ‘wilderness’ refers to the sphere that lies beyond culture, a part of the world that is not subject to human intervention and that is not our home.Does this mean that wildness cannot be part of a meaningful world? In this paper, I argue that Nietzsche’s account of nature can help elucidate today’s fascination with wilderness as a place of value beyond the sphere of human intervention. For Nietzsche, wild nature is a realm where moral valuations are out of order. In his work, however, we can discern a paradoxical moral concern with this wildness. Wildness is a critical moral concept that reminds us that our moral world of human meanings and goals ultimately rests on a much grander, all-encompassing natural world. Nietzsche’s concept of wildness acknowledges the value of that which cannot be morally appropriated. Wild nature confronts us with the limits of human valuing. Wildness as a concept thus introduces the ‘beyond’ of culture into the cultural arena of values. (shrink)

The concept of wildness not only plays a role in philosophical debates, but also in popular culture. Wild nature is often seen as a place outside the cultural sphere where one can still encounter instances of transcendence. Some writers and moviemakers contest the dominant romanticized view of wild nature by telling stories that somehow show a different harsher face of nature. In encounters with the wild and unruly, humans can sometimes experience the misfit between their well-ordered, human-centered, self-created world view (...) and the otherness of nature, and in doing so face, what Plumwood calls, “the view from the outside.” Three films—Gerry, Into the Wild, and Grizzly Man—deal with contemporary encounters with wildness. What these works have in common is the central theme of modern humans who are fascinated by wild nature and seek experiences unknown to those limited to the overly cultivated life of modern society. Another connecting theme, however, is that any idealization of wildness is in itself deeply problematic. All three films have fatal endings, which in turn fascinates the contemporary viewers. These films show, first, that wildness is conceived as a moral counterforce against the overly civilized world; and, second, that fascination with this wildness has itself become thoroughly reflexive, and. (shrink)

The twentieth century saw the rise of hermeneutics, the philosophical interpretation of texts, and eventually the application of its insights to metaphorical “texts” such as individual and group identities. It also saw the rise of modern environmentalism, which evolved through various stages in which it came to realize that many of its key concerns—“wilderness” and “nature” among them—are contested territory that are viewed differently by different people. Understanding nature requires science and ecology to be sure, but it also requires a (...) sensitivity to history, culture, and narrative. Thus, understanding nature is a fundamentally hermeneutic task. Interpreting Nature brings together leading voices at the intersection of these two increasingly important philosophical discussions: philosophical hermeneutics and environmental philosophy. The resulting field, environmental hermeneutics, provides the center of gravity for a collection of essays that grapple with one of the most compelling issues of our time: how do humans relate to nature? Adopting a broad and inclusive view of “the environment, Interpreting Nature takes up restoration and preservation, natural and built environments, the social construction of nature and nature as it imposes itself beyond our categories, and much more. The rich diversity of contributions illustrates the remarkable fecundity of hermeneutic resources applied to environmental issues. Taken together, the various contributions to this collection mark the arrival of environmental hermeneutics as a distinct field of study. (shrink)

The contributions to this volume explore perceptual and conceptual boundaries between the human and the natural, or between an 'out there' and 'in here.

The creation of new wetlands along rivers as an instrument to mitigate flood risks in times of climate change seduces us to approach the landscape from a 'managerial' perspective and threatens a more place-oriented approach. How to provide ecological restoration with a broad cultural context that can help prevent these new landscapes from becoming non-places, devoid of meaning and with no real connection to our habitable world. In this paper, I discuss three possible alternative interpretations of the meaning of places (...) and place attachment in these 'new nature' projects, and show how all three imply a different view on human identity and history. (shrink)