British Journal of Aesthetics 45 (2):111-122 (2005)

Abstract
Roger Scruton appears to have been the first to argue for and articulate an anti-realist theory of aesthetic properties. In the case of emotional qualities of music, his principal argument against realism is unsound and cannot, I believe, be repaired. Nevertheless an anti-realist view of emotional qualities of music is in my view correct and I defend Scruton's insight against a rival realist conception. However, I prefer a rather different form of anti-realism to Scruton's.
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DOI 10.1093/aesthj/ayi014
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The Structure of Aesthetic Properties.Rafael De Clercq - 2008 - Philosophy Compass 3 (5):894-909.

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