Recorded Music: Philosophical and Critical Reflections

Middlesex University Press (2008)
Abstract
Bringing together an international collection of experts, this work explores various philosophical issues surrounding modern music recordings. With perspectives from practicing musicians, musicologists, sound artists, and recordings engineers, this reference asks how theoretical issues related to their work relate to the context of making and using recordings. Additional questions asked by this study include What kind of “spatiality” is generated through recordings, and by what means? What is the nature of “recorded space”? Do recordings reflect musical reality or create one? and What are the philosophical bases of an “ethics” of recording?
Keywords Sound recordings  Music Philosophy and aesthetics
Categories (categorize this paper)
Call number ML3877.R44 2008
ISBN(s) 9781904750277
Options
 Save to my reading list
Follow the author(s)
Edit this record
My bibliography
Export citation
Find it on Scholar
Mark as duplicate
Request removal from index
Revision history
Download options
Our Archive


Upload a copy of this paper     Check publisher's policy     Papers currently archived: 32,607
External links

Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
Through your library
Chapters BETA
References found in this work BETA

No references found.

Add more references

Citations of this work BETA

No citations found.

Add more citations

Similar books and articles
Absolute Music, Mechanical Reproduction.Arved Mark Ashby - 2010 - University of California Press.
Added to PP index
2009-09-15

Total downloads
4 ( #730,196 of 2,235,865 )

Recent downloads (6 months)
1 ( #446,848 of 2,235,865 )

How can I increase my downloads?

Monthly downloads
My notes
Sign in to use this feature