Recorded music: philosophical and critical reflections

(ed.)
London: Middlesex University Press (2008)
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Abstract

Bringing together an international collection of experts, this work explores various philosophical issues surrounding modern music recordings. With perspectives from practicing musicians, musicologists, sound artists, and recordings engineers, this reference asks how theoretical issues related to their work relate to the context of making and using recordings. Additional questions asked by this study include What kind of “spatiality” is generated through recordings, and by what means? What is the nature of “recorded space”? Do recordings reflect musical reality or create one? and What are the philosophical bases of an “ethics” of recording?

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ML3877.R44 2008

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9781904750277

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Chapters

A sense of place : a sense of space.Tony Gibbs & John Dack
Acting on impulse! : recordings and the reification of jazz.Tony Whyton
Classical sound recordings and live performances : artistic and analytical perspectives.Dorottya Fabian
DIstortions and masks : transmutation of the "performing breath" in the studio take.Simon Trezise
Deleuze and the sampler as an audio-microscope : on the music-historical and aesthetic foundations of digital micro-acoustic recording and EndoSonoScopy and the process of analysis and production.Sabine Schäfer & Joachim Krebs
Documentation and transformation in musical recordings.Theodore Gracyk
Donner l'illusion de la chose écrite : reflections on recordings of organ improvisations.Michael Frith
Dorottya Fabian.Classical Sound Recordings
Faithful to his master's voice? : questions of fidelity and infidelity in music recording.Francis Rumsey
Humanistic motivations in ethnomusicological recordings.Robert Reigle
Inventing memory : documentary and imagination in acousmatic music.John Young
Performing after recording.Anthony Gritten
Phonography and the invention of sound.Marc Battier
Recording the performer's voice.Mine Doğantan-Dack
Stealing licks : recording and identity in jazz.Bruce Ellis Benson
Subject to a trace : the virtuality of recorded music.William Echard
Variations on a theme of Nelson Goodman as arranged by Glenn Gould for the piano phonograph.Colin Symes
Works, recordings, performances : classical, rock, jazz.Andrew Kania
Andrew Kania.  (pages 3)Recordings Works
Index of Terms.  (pages 22--358)Albert Hall
Colin Symes.  (pages 41)Glenn Gould
Theodore Gracyk.  (pages 61)Herbert Read
Robert reigle.  (pages 189)Ethnomusicological Recordings
Simon Trezise.  (pages 261)Studio Take
John young.  (pages 314)Inventing Memory
Sabine Schafer and Joachim Krebs.  (pages 333)Gilles Deleuze & Felix Guattari

Similar books and articles

Classical sound recordings and live performances : artistic and analytical perspectives.Dorottya Fabian - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.
Documentation and transformation in musical recordings.Theodore Gracyk - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.
Humanistic motivations in ethnomusicological recordings.Robert Reigle - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.
Acting on impulse! : recordings and the reification of jazz.Tony Whyton - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.
Donner l'illusion de la chose écrite : reflections on recordings of organ improvisations.Michael Frith - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.
Works, recordings, performances : classical, rock, jazz.Andrew Kania - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.
Phonography and the invention of sound.Marc Battier - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.
Performing after recording.Anthony Gritten - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.
Faithful to his master's voice? : questions of fidelity and infidelity in music recording.Francis Rumsey - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.
Recording the performer's voice.Mine Doğantan-Dack - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.

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