Mine Doğantan (ed.)
Middlesex University Press (2008)
| Abstract |
Bringing together an international collection of experts, this work explores various philosophical issues surrounding modern music recordings. With perspectives from practicing musicians, musicologists, sound artists, and recordings engineers, this reference asks how theoretical issues related to their work relate to the context of making and using recordings. Additional questions asked by this study include What kind of “spatiality” is generated through recordings, and by what means? What is the nature of “recorded space”? Do recordings reflect musical reality or create one? and What are the philosophical bases of an “ethics” of recording?
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| Keywords | Sound recordings Music Philosophy and aesthetics |
| Categories | (categorize this paper) |
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| Call number | ML3877.R44 2008 |
| ISBN(s) | 9781904750277 |
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Chapters BETA
Classical Sound Recordings and Live Performances : Artistic and Analytical Perspectives.Dorottya Fabian
Donner l'Illusion de la Chose Écrite : Reflections on Recordings of Organ Improvisations.Michael Frith
Faithful to His Master's Voice? : Questions of Fidelity and Infidelity in Music Recording.Francis Rumsey
Deleuze and the Sampler as an Audio-Microscope : On the Music-Historical and Aesthetic Foundations of Digital Micro-Acoustic Recording and EndoSonoScopy and the Process of Analysis and Production.Sabine Schäfer & Joachim Krebs
Variations on a Theme of Nelson Goodman as Arranged by Glenn Gould for the Piano Phonograph.Colin Symes
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