Recorded Music: Philosophical and Critical Reflections
Mine Doğantan (ed.)
Middlesex University Press (2008)
| Abstract |
Bringing together an international collection of experts, this work explores various philosophical issues surrounding modern music recordings. With perspectives from practicing musicians, musicologists, sound artists, and recordings engineers, this reference asks how theoretical issues related to their work relate to the context of making and using recordings. Additional questions asked by this study include What kind of “spatiality” is generated through recordings, and by what means? What is the nature of “recorded space”? Do recordings reflect musical reality or create one? and What are the philosophical bases of an “ethics” of recording?
|
| Keywords | Sound recordings Music Philosophy and aesthetics |
| Categories | (categorize this paper) |
| Call number | ML3877.R44 2008 |
| ISBN(s) | 9781904750277 |
| Options |
Save to my reading list
Follow the author(s)
Edit this record
|
Download options
Chapters BETA
Classical Sound Recordings and Live Performances : Artistic and Analytical Perspectives.Dorottya Fabian
Donner l'Illusion de la Chose Écrite : Reflections on Recordings of Organ Improvisations.Michael Frith
Faithful to His Master's Voice? : Questions of Fidelity and Infidelity in Music Recording.Francis Rumsey
Deleuze and the Sampler as an Audio-Microscope : On the Music-Historical and Aesthetic Foundations of Digital Micro-Acoustic Recording and EndoSonoScopy and the Process of Analysis and Production.Sabine Schäfer & Joachim Krebs
Variations on a Theme of Nelson Goodman as Arranged by Glenn Gould for the Piano Phonograph.Colin Symes
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articlesListening Through the Noise: The Aesthetics of Experimental Electronic Music.Joanna Demers - 2010 - Oup Usa.
Musical Works and Performances: A Philosophical Exploration.Stephen Davies - 2001 - Oxford University Press.
Documentation and Transformation in Musical Recordings.Theodore Gracyk - 2008 - In Mine Doğantan (ed.), Recorded Music: Philosophical and Critical Reflections. Middlesex University Press.
Sound Travels : Mapping Trajectories of Musical Recordings Towards and Within Sites of Meaning-Making.Karolina Anastazja Anestopoulos - unknown
Humanistic Motivations in Ethnomusicological Recordings.Robert Reigle - 2008 - In Mine Doğantan (ed.), Recorded Music: Philosophical and Critical Reflections. Middlesex University Press.
Acting on Impulse! : Recordings and the Reification of Jazz.Tony Whyton - 2008 - In Mine Doğantan (ed.), Recorded Music: Philosophical and Critical Reflections. Middlesex University Press.
Works, Recordings, Performances : Classical, Rock, Jazz.Andrew Kania - 2008 - In Mine Doğantan (ed.), Recorded Music: Philosophical and Critical Reflections. Middlesex University Press.
Donner l'Illusion de la Chose Écrite : Reflections on Recordings of Organ Improvisations.Michael Frith - 2008 - In Mine Doğantan (ed.), Recorded Music: Philosophical and Critical Reflections. Middlesex University Press.
Classical Sound Recordings and Live Performances : Artistic and Analytical Perspectives.Dorottya Fabian - 2008 - In Mine Doğantan (ed.), Recorded Music: Philosophical and Critical Reflections. Middlesex University Press.
Added to PP index
2009-09-15
Total downloads
4 ( #730,196 of 2,235,865 )
Recent downloads (6 months)
1 ( #446,848 of 2,235,865 )
2009-09-15
Total downloads
4 ( #730,196 of 2,235,865 )
Recent downloads (6 months)
1 ( #446,848 of 2,235,865 )
How can I increase my downloads?
Monthly downloads
My notes
