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  1.  39
    Listening Through the Noise: The Aesthetics of Experimental Electronic Music.Joanna Demers - 2010 - Oup Usa.
    Contemporary electronic music has splintered into numerous genres and subgenres, all of which share a concern with whether sound, in itself, bears meaning. Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.
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  2. Collision: The Ethics of Apocalypse.Joanna Demers - 2012 - Evental Aesthetics 1 (1):77-84.
    Joanna Demers argues that Houellebecqs apocalypse can be understood as a system analogous to Hegels, and interrogates the ethics of such a system.
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  3. Poverty and Asceticism: Introduction.Joanna Demers - 2014 - Evental Aesthetics 2 (4):4-6.
    This issue profiles various attempts, both successful and fraught, to engage the divide between asceticism and opulence, between materialism and poverty.
     
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  4. Premodern Aesthetics: Introduction.Joanna Demers - 2013 - Evental Aesthetics 2 (1):4-6.
    In this issue, our authors examine premodern art and theories of art, which preceded Descartes and the onset of philosophical modernity.
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  5. Reading: The Novelty of Looking Back: Simon Reynolds' Retromania.Joanna Demers - 2013 - Evental Aesthetics 2 (3):53-57.
    Reading is an affective and reflective relationship with a text, whether it is a new, groundbreaking monograph or one of those books that keeps getting pulled off the shelf year after year. Unlike traditional reviews, the pieces in this section may veer off in new directions as critical reading becomes an extended occurrence of thinking, being, and creation. Retromania: Pop Culture’s Addiction to Its Own Past, by Simon Reynolds. New York: Faber and Faber, 2011.
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  6. Aesthetics After Hegel: Editors' Introduction.Mandy Suzanne Wong & Joanna Demers - 2012 - Evental Aesthetics 1 (1):4-10.
    Our contributors invite new ways of thinking Hegel's ideas through contemporary art and theories that arise from current perspectives; and of thinking through such art and perspectives via Hegelianism.
     
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  7. Aesthetics After Hegel: Editors Introduction.Mandy-Suzanne Wong & Joanna Demers - 2012 - Evental Aesthetics 1 (1):4-10.
    Our contributors invite new ways of thinking Hegels ideas through contemporary art and theories that arise from current perspectives; and of thinking through such art and perspectives via Hegelianism.
     
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  8. Art and the City: Introduction.Mandy Suzanne Wong & Joanna Demers - 2012 - Evental Aesthetics 1 (3):4-9.
    In this issue, our contributors demonstrate how art in the city, art “about” the city, art compared to the city, can bring to attention the insidious forces underlying every city’s gleaming, wide-awake veneer.
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  9. Art and the City: Introduction.Mandy-Suzanne Wong & Joanna Demers - 2012 - Evental Aesthetics 1 (3):4-9.
    In this issue, our contributors demonstrate how art in the city, art “about” the city, art compared to the city, can bring to attention the insidious forces underlying every city’s gleaming, wide-awake veneer.
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  10. The Missed: Introduction.Mandy Suzanne Wong & Joanna Demers - 2012 - Evental Aesthetics 1 (1):4-8.
    This introduction highlights the themes that arise from The Missed: the productivity and negativity of unrealized potential and missed opportunity.
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  11. The Missed: Introduction.Mandy-Suzanne Wong & Joanna Demers - 2012 - Evental Aesthetics 1 (1):4-8.
    This introduction highlights the themes that arise from The Missed: the productivity and negativity of unrealized potential and missed opportunity.
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