Abstract

The article is aimed to describe one of the aspects of the phenomenological analysis of time, namely the role of motion. One of the not published manuscripts of Husserl in which he reconsiders the problematic of transcendental aesthetics of Kant from phenomenological positions undertakes a basis. Aspects of the problem of time are considered in the light of Husserl’s interpretation to the purposes of transcendental aesthetics. The concept of motion is connected with the process of a constitution of phantom, a problem of identity of a thing, specific character of causality, a unity of perception. This spectrum of problems of the transcendental-phenomenological aesthetics underlines the difference of Husserl’s concept of consciousness of time as directed on the present, as «Gegenwärtigung».