This article explores the philosophically neglected topic of artistic integrity, situated within the literature on personal or moral integrity more generally. It argues that artists lack artistic integrity if, in the process of creation, they place some other—competing, distracting, or corrupting—value over the value of the artwork itself, in a way that violates their own artistic standards. It also argues, however, that artistic integrity does not require adamant refusal to acknowledge or act upon commitments to values other than single-minded devotion to one's art. Artists of integrity need not be inflexible fanatics. They can seek to earn a living through their art, alter their vision of a work to reach an audience, evolve their artistic standards as they grow as artists, and balance the energy devoted to their art against energy devoted to family, friends, and self-care; they can honor the demands of morality.
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DOI 10.1111/jaac.12413
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References found in this work BETA

Freedom of the Will and the Concept of a Person.Harry G. Frankfurt - 1971 - Journal of Philosophy 68 (1):5-20.
Natural Goodness.M. Slote - 2003 - Mind 112 (445):130-139.
Standing for Something.Cheshire Calhoun - 1995 - Journal of Philosophy 92 (5):235-260.
Art, Narrative, and Moral Understanding.Noël Carroll - 1998 - In Jerrold Levinson (ed.), Aesthetics and Ethics: Essays at the Intersection. Cambridge University Press. pp. 126--60.

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Citations of this work BETA

Integrity.Damian Cox - 2008 - Stanford Encyclopedia of Philosophy.
Aesthetic Obligations.Robbie Kubala - 2020 - Philosophy Compass 15 (12):1-13.
Aesthetic Commitments and Aesthetic Obligations.Anthony Cross - forthcoming - Ergo: An Open Access Journal of Philosophy.
Not Sitting Down for It: How Stand‐Up Differs From Fiction.E. M. Dadlez - 2020 - Journal of Aesthetics and Art Criticism 78 (4):513-524.

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