Abstract

This article proposes a rereading of the question of the body and of meaning in the work of Jean-Luc Nancy by considering the phenomenon of sound. The issues of tonality, voice and listening have been at the center of several of Nancy’s studies throughout his philosophical production, but it is from his last publication, the book Cruor, that the analysis of sound outward propagation acquires a major relevance in the thought of bodies. Sound implies a fragmentation which suspends all rhetoric of contact and all spatial valorisation of the “between” (of the in-between, of between-us, of being-with).