Scene Perception

Scene Perception is the visual perception of an environment as viewed by an observer at any given time. It includes not only the perception of individual objects, but also such things as their relative locations, and expectations about what other kinds of objects might be encountered. Given that scene perception is so effortless for most observers, it might be thought of as something easy to understand. However, the amount of effort required by a process often bears little relation to its underlying complexity. A closer look shows that scene perception is a highly complex activity, and that any account of it must deal with several difficult issues: What exactly is a scene? What aspects of it do we represent? And what are the processes involved? Finding the answers to these questions has proven to be extraordinarily difficult. However, answers are being found, and a general understanding of scene perception is beginning to emerge. Interestingly, this emerging picture shows that much of our subjective experience as observers is highly misleading, at least in regards to the way that scene perception is carried out. In particular, the impression of a stable picture-like representation somewhere in our heads turns out to be largely an illusion. To see how this comes about, imagine a seashore where there is a sailboat, some rocks, some clouds, and perhaps a few other objects (see Figure 1). How do we perceive this scene? Intuitively, it seems that the set of objects in the environment would give rise to a corresponding set of representations in the observer. Thus, there would be detailed representations of the sailboat, clouds, etc., with each representation describing the identity, location, and 'meaning' of the item it refers to. In this view, the goal of scene perception is to form a literal re-presentation of the world, with all of its visible structure represented concurrently and in great detail everywhere. This representation then serves as the basis for all subsequent visual processing..
Keywords No keywords specified (fix it)
Categories (categorize this paper)
 Save to my reading list
Follow the author(s)
My bibliography
Export citation
Find it on Scholar
Edit this record
Mark as duplicate
Revision history
Request removal from index
Translate to english
Download options
Our Archive

Upload a copy of this paper     Check publisher's policy     Papers currently archived: 26,150
External links

Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
Through your library
References found in this work BETA

No references found.

Add more references

Citations of this work BETA

No citations found.

Add more citations

Similar books and articles
Perceiving Pictures.Bence Nanay - 2011 - Phenomenology and the Cognitive Sciences 10 (4):461-480.
Nonconceptual Demonstrative Reference.Athanassios Raftopoulos & Vincent C. Müller - 2006 - Philosophy and Phenomenological Research 72 (2):251-285.
Inflected and Uninflected Perception of Pictures.Bence Nanay - 2010 - In C. Abell & K. Bantilaki (eds.), Philosophical Perspectives on Depiction. Oxford University Press.

Monthly downloads

Added to index


Total downloads

45 ( #112,547 of 2,152,226 )

Recent downloads (6 months)

2 ( #281,219 of 2,152,226 )

How can I increase my downloads?

My notes
Sign in to use this feature

There  are no threads in this forum
Nothing in this forum yet.

Other forums