Abstract

The article deals with Kierkegaard's conception of the comic and the role it plays in his thought. The background against which the issue must be tackled is Kierkegaard's critique of modernity: according to Kierkegaard, modernity is characterized by its objectifying tendencies, to which we must oppose the rediscovery of interiority. These two registers correspond to two different linguistic regimes: objectivity to direct communication, interiority to indirect communication. The latter can express itself in the form of the incongruity that grounds the comic, for example when an interlocutor answers a rhetorical question. Such an answer cannot be apprehended literally (objectively) but only by an internal exercise. In the last part of the article the author highlights the different functions that have irony and humour in Kierkegaard’s conception of the stages of existence.