David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jonathan Jenkins Ichikawa
Jack Alan Reynolds
Learn more about PhilPapers
South African Journal of Philosophy 26 (2):216-227 (2007)
This paper addresses two recent debates in aesthetics: the ‘moralist debate’, concerning the relationship between the ethical and aesthetic evaluations of artworks, and the ‘cognitivist debate’, concerning the relationship between the cognitive and aesthetic evaluations of artworks. Although the two debates appear to concern quite different issues, I argue that the various positions in each are marked by the same types of confusions and ambiguities. In particular, they demonstrate a persistent and unjustified conflation of aesthetic and artistic value, which in turn is based on a more general failure to explicitly tackle the demarcation of aesthetic value. As such, the claims of each side are rendered ambiguous in respect of the relation that is supposed to hold between all these types of value and artistic value. These issues are discussed in light of a recent argument proposed by Matthew Kieran, to undermine, to some extent, the conceptual distinction between aesthetic, cognitive-ethical, and artistic values in our appraisal of art works. In rejecting his argument, I defend the conceptual distinction and a pluralistic conception of artistic value that allows for cognitive and ethical values to count as artistic, but not aesthetic, values
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
Cain S. Todd (2008). Unmasking the Truth Beneath the Beauty: Why the Supposed Aesthetic Judgements Made in Science May Not Be Aesthetic at All. International Studies in the Philosophy of Science 22 (1):61 – 79.
Similar books and articles
Dominic McIver Lopes (2011). The Myth of (Non-Aesthetic) Artistic Value. Philosophical Quarterly 61 (244):518-536.
Andrew Huddleston (2012). In Defense of Artistic Value. Philosophical Quarterly 62 (249):705-714.
Christy Mag Uidhir & Cameron Buckner (2014). A Portrait of the Artist as an Aesthetic Expert. In Gregory Currie, Matthew Kieran & Aaron Meskin (eds.), Aesthetics and the Sciences. Oxford University Press.
Robert Stecker (2005). The Interaction of Ethical and Aesthetic Value. British Journal of Aesthetics 45 (2):138-150.
Graham McFee (2005). The Artistic and the Aesthetic. British Journal of Aesthetics 45 (4):368-387.
Caj Strandberg (2011). A Structural Disanalogy Between Aesthetic and Ethical Value Judgements. British Journal of Aesthetics 51 (1):51-67.
Aaron Meskin (2004). Aesthetic Testimony: What Can We Learn From Others About Beauty and Art? Philosophy and Phenomenological Research 69 (1):65–91.
Berys Nigel Gaut (2007). Art, Emotion and Ethics. Oxford University Press.
Dustin Stokes (2014). Cognitive Penetration and the Perception of Art (Winner of 2012 Dialectica Essay Prize). Dialectica 68 (1):1-34.
Jonathan Gilmore (2011). A Functional View of Artistic Evaluation. Philosophical Studies 155 (2):289-305.
Vojko Strahovnik (2004). The Riddle of Aesthetic Principles. Acta Analytica 19 (33):189-208.
Harold Osborne (1972). Aesthetics. London: Oxford University Press.
Valerij Gretchko (2003). Aesthetic Conception of Russian Formalism. Sign Systems Studies 31 (2):523-531.
Added to index2010-09-02
Total downloads76 ( #64,117 of 1,925,793 )
Recent downloads (6 months)5 ( #187,059 of 1,925,793 )
How can I increase my downloads?