Abstract

How can an art practice based upon lens imaging help us to question landscape as a pictorial category fixed in space and time? This article proposes that we practise landscape as an ongoing process that always surpasses human spatial and temporal framing while enfolding the activity of the human within it. Starting with reference to a specific geographic, geological and environmental site, the article tracks a process of situated making using the smartphone camera as the fulcrum of a performative activity.