In the prooemium of the Cento Vergilianus de Laudibus Christi of Faltonia Betitia Proba (lines 1–23) there are fragments not only of Vergil’s works but also of Lucan’s Bellum Civile and Juvencus’ Evangeliorum Libri. This article shows that in these lines Juvencus has a particular importance, for the references to his work increase until they reach a remarkable intensity in lines 22–23 and they stand out on different levels both formally and semantically. This thesis is supported by re-examining (...) the origin of a reference in line 22 of the Cento (erige mentem) that is usually ascribed to Lucan. The attribution to Juvencus can be established through the phenomenon of acoustic imitation. (shrink)

Huemer's text:The confusion of the MSS is well justified; something has gone very wrong here. Even if ‘horrendis... profundis’ could be plausibly construed, the repetition ‘horrendis... horrendi’ is impossibly clumsy, and it seems obvious that one or the other does not belong here. I suggest that the interloper is the ‘horrendis’ of line 286, which probably derives from a simple eye-skip to ‘;horrendi.sociis’ below. The likely corollary is that the correct reading at the end of the line is ‘profundi’, later (...) altered in an attempt to accommodate the intrusive ‘horrendis’. This approach would seem to be confirmed by the frequency of the clausula ‘stagna profundi’ in the Latin hexameter. (shrink)