The article presents an edition of the previously unpublished letter from A. E. Housman to Grigory E. Saenger, written in Latin and dated 28 May, 1909, as well as a commentary on this text. The letter contains a criticism of Saenger’s 1909 edition of Statius’ Siluae. Housman evaluates the general approach of the edition and pronounces his judgement on two particular decisions made by the editor. The commentary treats both the general context of the letter and particular statements made (...) by Housman. The approach recommended by Housman is compared to those adopted in the major post-Saengerian editions of the Siluae; it is suggested that, while in certain respects some of the modern editions come close to what Housman endorsed, in other ways there is nothing among them to compare with it. (shrink)

There are three conventionally held views about the relationship between mankind and nature in the Roman villa: man is master over the natural landscape; villas were positioned at vantage points so that the downward gaze of a dominus reinforced his domination; gardens offered opportunities to bring order upon nature. This article argues to the contrary that Manilius Vopiscus’ villa in Statius’ Siluae 1.3 presents a harmonious relationship between key natural features, the villa architecture and the villa proprietor himself. Nature (...) sometimes takes precedence, while the villa complements and integrates with the environment. This allows us to appreciate the nuances in Statius’ overall presentation of the relationship between mankind and nature in Book 1 and in other poems in the Siluae. (shrink)

An anonymous biography of Lucan known as the Life of Vacca attributes to the poet the composition of a work called Siluae. This information has been accepted by scholars with regard to both Lucan and Statius, thus transforming Lucan into a predecessor of Statius’ Siluae. This article seeks to demonstrate that neither the manuscript tradition of Lucan's biography nor alleged references to Lucan's Siluae in Statius’ collection substantiate the affirmation that Lucan composed a work called Siluae. (...) It is argued that the Life of Vacca is most probably late and its very long catalogue of works (mostly problematic or otherwise unknown) aggrandizes Lucan in response to the need for a commendatory biography of the poet when he became a school author. Pomponio Leto is responsible for perpetuating the mention of Lucan's Siluae by including it in his influential biography of Lucan (the first to reach the printed press). It is further argued that the circumstances of the tradition of Statius’ Siluae explain Leto's acceptance of Lucan's work of the same title. Leto was working on a commentary on the recently rediscovered Siluae, which explains his inclusion of a work called Siluae in his biography of Lucan, a great poet who had preceded Statius. Finally, this article deconstructs the theories that find references to Lucan's Siluae in Statius’ Siluae or that justify Statius’ silence about Lucan's Siluae with its political motifs. (shrink)

In ancient literature and religion, Hercules—in common with many other deities—is frequently associated with particular trees or types of tree. There are tales connecting him with the wild olive, laurel and oak, but his most prominent and frequent arboreal link is with the poplar, an association mentioned twice in the Hercules-heavy first half of Aeneid Book 8. The festival of Hercules celebrated by Evander and his people takes place just outside the city within a ‘great grove’ of unspecified species, in (...) an area surrounded by less defined expanses of trees. Trees crowd the banks of the Tiber, leaning out for wonder as Aeneas’ fleet passes by and soon uariisque teguntur | arboribus, uiridisque secant placido aequore siluas ; looking up through the sacrificial smoke on the altars, Pallas and his friends are initially frightened ut celsas uidere rates atque inter opacum | adlabi nemus. When Evander later shows Aeneas around, the emphasis on trees recurs, with the huge grove destined to become Romulus’ Asylum, and the bramble- and god-haunted woods of the Capitol. Later, Aeneas and his men camp in a vast grove of Silvanus, as Venus approaches to bring her son his new shield. (shrink)

In lines 646–60 of his translation of Aratus’ Phaenomena, Germanicus narrates the story of Orion, the mythical hunter killed by a scorpion sent by Diana because of his attempt to rape the goddess, and then transformed into a star. In particular, line 651 describes Orion's hunting:nudabatque feris angusto stipite siluas.

The first eclogue opens with an exposition, put in the mouth of Meliboeus : Tityre, tu patulae recubans sub tegmine fagisiluestrem tenui Musam meditaris auena;nos patriae finis et dulcia linquimus arua.nos patriam fugimus; tu, Tityre, lentus in umbraformosam resonare doces Amaryllida siluas. These five lines receive two and a half pages in Coleman's commentary, five in Clausen's, six in the recent commentary by Cucchiarelli, and eighteen in Paraskeviotis's unpublished thesis on the Eclogues’ sources. Yet on the central line and a (...) half, in which Meliboeus speaks about himself rather than Tityrus, only Cucchiarelli spends more than half a page. For lines 1–2 and 4b–5, focussed on Tityrus, numerous intertexts have been suggested: Theocritus 1.1–3 and 7.88–9, Lucretius 4.589 and 5.1398, Meleager, AP 7.196.2, Callimachus, Aetia fr. 73 Pfeiffer, to list the most important ones. No allusion seems to have been detected in 3–4a. (shrink)

In the course of a note on Aen. VIII. 86 sq. by Dr. J. W. Mackail , the Servian interpretation of line 96 is supported with the observation that 'note should be taken of Virgil's distinctive use of the ablative. “Placidoaequore siluas” in his language is practically equivalent to “placidas aequoreas siluas” just as “pictas abiete puppes” is to “pictas abiegnas puppes” or “uasta uoragine gurges” to “uastus uoraginosus gurges.”’.

eliciunt caelo te, Iuppiter; unde minoresnunc quoque te celebrant Eliciumque uocant.constat Auentinae tremuisse cacumina siluae,terraque subsedit pondere pressa Iouis. (Ov.Fasti3.327–30)They draw you down from the sky, Jupiter, and that is why more recent generations still worship you today, and call you Elicius. It is certain that the summit of the Aventine wood trembled, and the earth sank beneath the weight of Jupiter.Dismayed by an unprecedented flurry of thunderbolts, the pious King Numa sets out to expiate the omen. His divine (...) consort Egeria advises him to learn theritus piandi(291) from Picus and Faunus, who will, however, only reveal the necessary information under compulsion. Numa makes plans to ambush the gods, taking up position in a cave within a grove ‘under the Aventine, black with the shade of the holm oak, at sight of which you would say, “A spirit is here”’ (lucus Auentino suberat niger ilicis umbra, | quo posses uiso dicere ‘numen inest’, 295–6). The description of this numinous location continues (297–9):in medio gramen, muscoque adoperta uirentimanabat saxo uena perennis aquae;inde fere soli Faunus Picusque bibebant.In the middle was a meadow, and an unceasing stream of water, covered with green moss, flowed from the rock. From it Faunus and Picus, unaccompanied, were in the habit of drinking.Once captured by the king, Faunus and Picus tell Numa that only Jupiter himself can be consulted about Jupiter's own domain (if we readtectaat 316; Jupiter's weapons, if we readtela, and there's little to choose between those readings), but that with their help Numa may be able to draw Jupiter down from the sky to answer his enquiry. (shrink)

The article of Dr. Wasserstein, ‘The Manuscript-tradition of Statius'; Siluae’, C.Q. N.s. iii , 69–78, causes me to revert once again to the question I treated twice in Philologus Ixvi , 85–134; lxxxii , 167–180. In the first place I must refer to a frequent slip of the pen which occurs, for example, in the 414 verses of the Culex thrice, viz.

Mr. Garrod has earned the gratitude of all students of Manilius by his detection of the ratio of the series in iii. 599–615, and he is fully justified in his contention that tricenas in 612 is ‘one of the few emendations which can be proved mathematically.’ I owe him a special acknowledgment, inasmuch as his discovery enables me to add one more to the list and affords me an opportunity of establishing what was correct and correcting what was erroneous in (...) my discussion of the whole passage in Silua Maniliana, pp. 30 sqq. Let me do the last first. My suggestion of uix for bis in 616 of course disappears; bis sex is required by the series: and in 595–6 the number meant is 75, not 76. (shrink)

Mr. Garrod has earned the gratitude of all students of Manilius by his detection of the ratio of the series in iii. 599–615, and he is fully justified in his contention that tricenas in 612 is ‘one of the few emendations which can be proved mathematically.’ I owe him a special acknowledgment, inasmuch as his discovery enables me to add one more to the list and affords me an opportunity of establishing what was correct and correcting what was erroneous in (...) my discussion of the whole passage in Silua Maniliana, pp. 30 sqq. Let me do the last first. My suggestion of uix for bis in 616 of course disappears; bis sex is required by the series: and in 595–6 the number meant is 75, not 76. (shrink)