Results for 'Benjamin Straube'

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  1.  47
    Two Forms of Gesture: Notes on Aby Warburg and Walter Benjamin.Andrew Benjamin - 2017 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 10 (1):21-40.
    The paper both connects and disassociates the work of Walter Benjamin and Aby Warburg. There are two interrelated undertakings. The first involves the relationship between philosophy and art history and thus how art history figures within the philosophical. The second pertains to the status of the image. Part of the argument to be advanced is that an engagement with philosophical approach to art history yields a concern with the image in which it is the image's material presence that proves (...)
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  2. Walter Benjamin's Philosophy: Destruction and Experience.Andrew Benjamin & Peter Osborne (eds.) - 1993 - Clinamen Press.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
     
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  3. Dialectics of Seeing Walter Benjamin and the Arcades Project.Susan Buck-Morss & Walter Benjamin - 1989 - MIT Press.
  4.  3
    The Role of Gamma Oscillations During Integration of Metaphoric Gestures and Abstract Speech.Yifei He, Arne Nagels, Matthias Schlesewsky & Benjamin Straube - 2018 - Frontiers in Psychology 9.
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  5.  1
    Links Between Gestures and Multisensory Processing: Individual Differences Suggest a Compensation Mechanism.Simon B. Schmalenbach, Jutta Billino, Tilo Kircher, Bianca M. van Kemenade & Benjamin Straube - 2017 - Frontiers in Psychology 8.
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  6. Special Section on Walter Benjamin ; Special Section on Film.Walter Benjamin - 1985 - University of Wisconsin-Milwaukee.
     
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  7. Revoluci'on Conservadora y Conservaci'on Revolucionaria Pol'itica y Memoria En Walter Benjamin.Juan Mayorga & Walter Benjamin - 2003
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  8. Morality, Law and the Place of Critique: Walter Benjamin's The Meaning of Time in the Moral World.Andrew Benjamin - 2011 - Critical Horizons 12 (3):281 - 301.
    Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.
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  9.  52
    Being Roman Now: The Time of Fashion A Commentary on Walter Benjamin's 'Theses on the Philosophy of History' XIV.Andrew Benjamin - 2003 - Thesis Eleven 75 (1):39-53.
    Walter Benjamin’s writings on fashion need to be read as engagements with the problem of historical time and a related politics of time. The aim of this article is to develop this position. Its point of orientation is Thesis XIV from the Theses on the Philosophy of History. What is argued is that close attention to the temporality of change and novelty within fashion may allow an insight into a conception of interruption and the ‘new’, however, it cannot yield (...)
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  10. Porosity at the Edge : Working Through Walter Benjamin's "Naples".Andrew Benjamin - 2010 - In Walter Benjamin & Gevork Hartoonian (eds.), Walter Benjamin and Architecture. Routledge.
     
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  11. Walter Benjamin's Philosophy: Destruction and Experience.Andrew Benjamin & Peter Osborne (eds.) - 1993 - Routledge.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
     
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  12. Sparks Will Fly: Benjamin and Heidegger.Andrew Benjamin & Dimitris Vardoulakis (eds.) - 2015 - State University of New York Press.
    _Collected essays consider points of affinity and friction between Walter Benjamin and Martin Heidegger._.
     
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  13.  83
    Walter Benjamin and the Architecture of Modernity.Andrew E. Benjamin & Charles Rice (eds.) - 2009 - Re.Press.
    Walter Benjamin's Politics of 'bad tasteMichael Mac Modernity as an unfinished Project: Benjamin and Political RomanticismRobert Sinnerbrink Violence, ...
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  14. The Correspondence of Walter Benjamin, 1910-1940.Walter Benjamin, Gershom Scholem & Theodor W. Adorno - 2012 - University of Chicago Press.
     
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  15. The Absolute as Translatability: Working Through Walter Benjamin on Language.Andrew Benjamin - unknown
     
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  16. Benjamin's Modernity.Andrew Benjamin - unknown
  17.  46
    Gesture and Expression: Interrupting Lament's Repetition: Walter Benjamin and Sophocles' Electra.Andrew Benjamin - 2017 - In .
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  18. Walter Benjamin's Critical Romanticism: An Introduction.Beatrice Hanssen & Andrew Benjamin - unknown
     
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  19.  31
    Leben Und Gluck: Modernity and Tragedy in Walter Benjamin, Hölderlin, and Sophocles.Andrew Benjamin - unknown
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  20. Benjamin and the Baroque: Posing the Question of Historical Time.Andrew Benjamin - unknown
     
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  21. The Problems of Modernity: Adorno and Benjamin.Andrew E. Benjamin (ed.) - 1991 - Routledge.
  22. Walter Benjamin 160.Walter Benjamin - 2007 - In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg. pp. 160.
     
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  23. Walter Benjamin and Architecture.Walter Benjamin & Gevork Hartoonian (eds.) - 2010 - Routledge.
     
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  24. Wakan; the Spirit of Harold Benjamin.Harold Raymond Wayne Benjamin - 1968 - Minneapolis, Burgess Pub. Co..
     
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  25. Benjamin Franklin and the League of the Haudenosaunee.John T. Sanders - 2006 - In St Petersburg Center for the History of Ideas (ed.), The Philosophical Age, Almanac 32: Benjamin Franklin and Russia, to the Tercentenary of His Birth. St. Petersburg Center for the History of Ideas.
    Benjamin Franklin's social and political thought was shaped by contacts with and knowledge of ancient aboriginal traditions. Indeed, a strong case can be made that key features of the social structure eventually outlined in the United States Constitution arose not from European sources, and not full-grown from the foreheads of European-American "founding fathers", but from aboriginal sources, communicated to the authors of the Constitution to a significant extent through Franklin. A brief sketch of the main argument to this effect (...)
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  26.  40
    The Uses of Walter : Walter Benjamin and the Counterfactual Imagination.Benjamin Aldes Wurgaft - 2010 - History and Theory 49 (3):361-383.
    Many authors, both scholarly and otherwise, have asked what might have happened had Walter Benjamin survived his 1940 attempt to escape Nazi-occupied Europe. This essay examines several implicitly or explicitly “counterfactual” thought experiments regarding Benjamin’s “survival,” including Hannah Arendt’s influential “Walter Benjamin: 1892–1940,” and asks why our attachment to Benjamin’s story has prompted so much counterfactual inquiry. It also explores the larger question of why few intellectual historians ask explicitly counterfactual questions in their work. While counterfactuals (...)
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  27.  58
    The Dialectics of Seeing: Walter Benjamin and the Arcades Project.Susan Buck-Morss - 1991 - MIT Press.
  28. Monty Hall Drives a Wedge Between Judy Benjamin and the Sleeping Beauty: A Reply to Bovens.Luc Bovens & Jose-Luis Ferreira - 2010 - Analysis 70 (3):473 - 481.
    In “Judy Benjamin is a Sleeping Beauty” (2010) Bovens recognises a certain similarity between the Sleeping Beauty (SB) and the Judy Benjamin (JB). But he does not recognise the dissimilarity between underlying protocols (as spelled out in Shafer (1985). Protocols are expressed in conditional probability tables that spell out the probability of coming to learn various propositions conditional on the actual state of the world. The principle of total evidence requires that we not update on the content of (...)
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  29. Thoughts on Film: Critically Engaging with Both Adorno and Benjamin.Laura D'Olimpio - 2016 - Educational Philosophy and Theory 48 (6):622-637.
    There is a traditional debate in analytic aesthetics that surrounds the classification of film as Art. While much philosophy devoted to considering film has now moved beyond this debate and accepts film as a mass art, a sub-category of Art proper, it is worth re-considering the criticism of film pre-Deleuze. Much of the criticism of film as pseudo-art is expressed in moral terms. T. W. Adorno, for example, critiques film as ‘mass-cult’; mass produced culture which presents a ‘flattened’ version of (...)
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  30. Judy Benjamin is a Sleeping Beauty.Luc Bovens - 2010 - Analysis 70 (1):23-26.
    I argue that van Fraassen's Judy Benjamin Problem and Elga's Sleeping Beauty Problem have the same structure.
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  31. Regression to the Mean and Judy Benjamin.Randall G. McCutcheon - 2020 - Synthese 197 (3):1343-1355.
    Van Fraassen's Judy Benjamin problem asks how one ought to update one's credence in A upon receiving evidence of the sort ``A may or may not obtain, but B is k times likelier than C'', where {A,B,C} is a partition. Van Fraassen's solution, in the limiting case of increasing k, recommends a posterior converging to the probability of A conditional on A union B, where P is one's prior probability function. Grove and Halpern, and more recently Douven and Romeijn, (...)
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  32. The Problem of the Image: Sacred and Profane Spaces in Walter Benjamin’s Early Writing.Alison Ross - 2013 - Critical Horizons 14 (3):355-379.
    From the comparative framework of writing on the meaning of ritual in the field of the history of religions, this essay argues that one of the major problems in Benjamin’s thinking is how to make certain forms of materiality stand out against other forms. In his early work, the way that Benjamin deals with this problem is to call degraded forms “symbolic”, and those forms of materiality with positive value, “allegorical”. The article shows how there is more than (...)
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  33. Gender Myth and the Mind-City Composite: From Plato’s Atlantis to Walter Benjamin’s Philosophical Urbanism.Abraham Akkerman - 2012 - GeoJournal (in Press; Online Version Published) 78.
    In the early twentieth century Walter Benjamin introduced the idea of epochal and ongoing progression in interaction between mind and the built environment. Since early antiquity, the present study suggests, Benjamin’s notion has been manifest in metaphors of gender in city-form, whereby edifices and urban voids have represented masculinity and femininity, respectively. At the onset of interaction between mind and the built environment are prehistoric myths related to the human body and to the sky. During antiquity gender projection (...)
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  34.  18
    Blasting the Past: A Rereading of Walter Benjamin’s Theses on the Philosophy of History.Zarko Cvejic - 2019 - Filozofija I Društvo 30 (3):384-398.
    The text offers a reappraisal of Walter Benjamin’s Theses on the Philosophy of History from the perspective of global politics today and its similarities with the socio-economic and political situation in Europe and the Americas during the 1920s and 30s; more specifically, the impact of crises on the erosion of trust in liberal representative democracy and the concomitant rise of mostly rightwing populist movements and their strongmen leaders, aided to a significant degree by the media, ‘old’ and ‘new’ alike. (...)
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  35. Laws, Exceptions, Norms: Kierkegaard, Schmitt, and Benjamin on the Exception.Rebecca Gould - 2013 - Télos 2013 (162):77-96.
    The concept of the exception has heavily shaped modern political theory. In modernity, Kierkegaard was one of the first philosophers to propound the exception as a facilitator of metaphysical transcendence. Merging Kierkegaard’s metaphysical exception with early modern political theorist Jean Bodin’s theory of sovereignty, Carl Schmitt introduced sovereignty to metaphysics. He thereby made an early modern concept usable in a post-metaphysical world. This essay carries Schmitt’s appropriation one step further. Drawing on Walter Benjamin’s replacement of transcendental metaphysics with contingent (...)
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  36.  49
    Walter Benjamin’s Concept of the Image.Alison Ross - 2014 - Routledge.
    In this book, Alison Ross engages in a detailed study of Walter Benjamin’s concept of the image, exploring the significant shifts in Benjamin’s approach to the topic over the course of his career. Using Kant’s treatment of the topic of sensuous form in his aesthetics as a comparative reference, Ross argues that Benjamin’s thinking on the image undergoes a major shift between his 1924 essay on ‘Goethe’s Elective Affinities ,’ and his work on The Arcades Project from (...)
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  37.  8
    Entre la imagen y el concepto: Walter Benjamin y Joseph Kosuth.Tatiana Staroselsky - 2019 - Agora 39 (1).
    Este trabajo se propone indagar la relación entre la obra del filósofo Walter Benjamin y parte de la producción del artista conceptual Joseph Kosuth, partiendo de la hipótesis de que ambos representan un desplazamiento de sus disciplinas hacia un lugar de encuentro entre el arte y la filosofía. En efecto, mientras en Benjamin la filosofía va más allá del concepto para alcanzar la imagen, en Kosuth el arte se apropia de las palabras y evita toda representación visual del (...)
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  38.  42
    Messianica Ratio. Affinities and Differences in Cohen’s and Benjamin's Messianic Rationalism.Fabrizio Desideri - 2015 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 8 (2):133-145.
    In my paper, I intend firmly to criticize Taubes' interpretation of Benjamin's Theology as a modern form of Gnosticism. In a positive way, I sustain rather the thesis that Benjamin's Messianism is in close connection with his conception of reason and, in particularly, with the paradoxical unity of Mysticism and Enlightenment, which, according to the famous definition of Adorno, distinguishes his thought. As a radically anti-magical and anti-mythical conception of the historical time, Benjamin's Messianism has to be (...)
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  39.  4
    «Unbewaffnetes Auge»: Benjamin’s Interpretation of Comedy in Shakespeare and Molière.Alice Barale - 2019 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 12 (2):127-133.
    This essay examines two texts that Walter Benjamin wrote in 1918, during his period in Bern, on Shakespeare’s comedy As you like it and on Le malade imaginaire by Molière When these texts are considered together, a question arises. What is the role of the comic inside Benjamin’s philosophy, in this period and also in the years to follow? Is the comic really only the other side of mourning, as Benjamin writes in The Origin of German Tragic (...)
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  40.  14
    Vasudevan on Judy Benjamin.Randall G. McCutcheon - manuscript
    Anubav Vasudevan characterized van Fraassen’s “Infomin” solution to the Judy Benjamin Problem (i.e. the solution by way of minimizing the Kullback-Leibler divergence between the posterior and prior) as an implementation of a “brand of epistemic charity” taking “the form of an assumption on the part of Judy Benjamin that her informant’s evidential report leaves out no relevant information”. After an analysis of the example that led Vasudevan to this way of thinking about Infomin, as well as of a (...)
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  41.  13
    La"psyché" judeoalemana ante el Derecho y el Estado: Walter Benjamin y Franz Rosenzweig.Roberto Navarrete Alonso - 2019 - Revista de Filosofía 44 (1):61-77.
    El artículo analiza el vínculo entre derecho y violencia en Walter Benjamin y Franz Rosenzweig. Primero, se estudia la relación entre Benjamin, Rosenzweig y Carl Schmitt, y, a continuación, la proximidad entre las concepciones benjaminiana y rosenzweiguiana de la historia y de la temporalidad mesiánica, así como la relación entre justicia, derecho y eternidad. Finalmente, se presenta la propuesta derridiana de una deconstrucción de la crítica benjaminiana de la violencia y su antecedente en _La estrella de la redención_.
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  42.  9
    The Experience of Modernity. Shock and Melancholy in Walter Benjamin.Natalia Taccetta - 2019 - Las Torres de Lucca. International Journal of Political Philosophy 8 (15):107-133.
    If modernity involves a view through which it is possible to read the uninterrupted historical continuity of social utopia and the harmony of class and the progress of the 19th century, it is fundamental to explore what is the other face of this fantasy of progress that places the individual in modernity in a situation of depression and debt, inasmuch as those promises are never fully fulfilled. Walter Benjamin builds his idea of history rethinking this legacy. He imagines the (...)
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  43.  39
    La dialectique de l’authenticité chez Walter Benjamin. Enjeux politiques et esthétiques.Christine Schmider - 2014 - Noesis 22:29-42.
    Notre contribution montre que malgré l’absence flagrante d’un usage explicite du terme dans la plupart des textes de Benjamin, la problématique de l’authenticité est un des enjeux les plus importants de sa pensée, à la fois comme concept esthétique, mais aussi comme objectif d’une philosophie de la connaissance qui en fait son idéal, tout en le mettant systématiquement en doute. La réflexion sur l’authenticité se décline dans tous les domaines de la pensée benjaminienne : l’art, l’histoire, la politique et (...)
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  44.  88
    The Origins of Walter Benjamin's Concept of Philosophical Critique.Alexei Procyshyn - 2013 - Metaphilosophy 44 (5):655-681.
    Focusing on Walter Benjamin's earliest pieces dedicated to school reform and the student movement, this article traces the basic critical approaches informing his mature thought back to his struggle to critically implement and transform the theory of concept formation and value presentation developed by his Freiburg teacher, Heinrich Rickert. It begins with an account of Rickert's work, specifically of the concept of Darstellung (presentation) and its central role in Rickert's postmetaphysical theory of historical research (which he characterizes as exclusively (...)
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  45.  40
    El lugar de la crítica. Sobre la identidad de método y objeto en la obra de Walter Benjamin.José Luis Delgado Rojo - 2016 - Revista de Filosofía (Madrid) 41 (2):313-334.
    This paper focuses on the problematic relationship between method and object in Walter Benjamin’s research. In order to do this, first we will try to clarify the dialectical structure of the notion of “critique”, which plays a key role in his method of historical knowledge. Benjamin’s peculiar appropriation of Goethean “dialectics” will allow us then to show the structural affinity that exists between the medium of representation and the historical object represented, paying special attention to the particular case (...)
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  46.  49
    Intermittency: The Differential of Time and the Integral of Space. The Intensive Spatiality of the Monad, the Apokatastasis and the Messianic World in Benjamin's Latest Thinking.Fabrizio Desideri - 2016 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 9 (1):177-187.
    The main topic of my paper concerns the theological-philosophical nexus between the intensive and qualitative spatiality of the Monad and the Origenian idea of Apokatastasis as a nexus that can clarify Benjamin's latest idea of the Messianic World. The first step will be, therefore, to explain Benjamin's use of the Origenian notion of Apokatastasis in his Essay on Leskov and in the Passagenwerk. Secondly, I will discuss how and to what extent such use is relevant for Benjamin's (...)
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  47.  12
    Variaciones semánticas del concepto de crisis en Walter Benjamin.Mariela Vargas - 2018 - Páginas de Filosofía 19 (22):33-50.
    La noción y la experiencia de la crisis son consustanciales a la modernidad, a su diagnóstico y su autocomprensión no sólo como crisis económica y política, sino, de modo más fundamental y abarcador, como crisis de la comunidad, de la transmisión y la tradición y, finalmente, como crisis de la modernidad misma. La obra de Walter Benjamin, en la medida en que constituye un esfuerzo de articulación filosófica de una serie de experiencias políticas, estéticas y metafísicas moldeadas por crisis, (...)
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  48.  2
    El concepto de “interpelación fantasmagórica”: una propuesta teórica a partir de Walter Benjamin y Louis Althusser.Marc Berdet - 2019 - Isegoría 61:505-524.
    This article aims at presenting the concept of “phantasmagorical interpellation”. This theoretical effort is inspired by Walter Benjamin’s concept of “phantasmagoria” and Louis Althusser’s concept of “ideological interpellation”. The proposal is to ally their respective philosophical work-in-progress in their “anthropological” and “aleatory” materialisms in order to provide a socio-political analysis of today’s capitalist aesthetics as displayed in postmodern architecture or the design of everyday life. The aim is also to open new perspectives of resistance to the normativity of the (...)
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  49.  10
    Walter Benjamin and the Principle of Repetition.Marina Montanelli - 2018 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 11 (2):261-278.
    The following essay aims to analyze the problem of repetition in the reflection of Walter Benjamin. Showing first of all how this concept, singularly neglected by critics, is the unexpected centre towards which the philosopher’s entire reflection converges, thus offering a new reading of his entire production. All the vast domains of Benjamin’s speculation are thoroughly rethought starting from this idea, revealing how what is at stake is a more articulated movement of the eternal recurrence of the same, (...)
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  50.  22
    Baroque Sherlock: Benjamin’s Friendship Between «Criminal and Detective» in its Fore- and Afterlife.Alice Barale - 2017 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 10 (2):163-169.
    The starting point of this paper is a statement that Benjamin makes in a group of notes he writes for his project of a detective novel. Benjamin writes here that «criminal and detective could be so friends [so befreundet sein] as Sherlock Holmes and Watson». We’ll try to understand the meaning of this statement through the investigation of the detective topic in two moments of its fore and afterlife: its fore life in Benjamin’s meditation on the baroque (...)
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