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  1.  22
    Pianists Duet Better When They Play with Themselves: On the Possible Role of Action Simulation in Synchronization.Peter E. Keller, Günther Knoblich & Bruno H. Repp - 2007 - Consciousness and Cognition 16 (1):102-111.
    Ensemble musicians play in synchrony despite expressively motivated irregularities in timing. We hypothesized that synchrony is achieved by each performer internally simulating the concurrent actions of other ensemble members, relying initially on how they would perform in their stead. Hence, musicians should be better at synchronizing with recordings of their own earlier performances than with others’ recordings. We required pianists to record one part from each of several piano duets, and later to play the complementary part in synchrony with their (...)
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  2.  22
    Inferring Agency From Sound.Günther Knoblich & Bruno H. Repp - 2009 - Cognition 111 (2):248-262.
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  3.  19
    Probing the Cognitive Representation of Musical Time: Structural Constraints on the Perception of Timing Perturbations.Bruno H. Repp - 1992 - Cognition 44 (3):241-281.
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  4.  22
    Hearing a Melody in Different Ways: Multistability of Metrical Interpretation, Reflected in Rate Limits of Sensorimotor Synchronization.Bruno H. Repp - 2007 - Cognition 102 (3):434-454.
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    Perceptual Equivalence of Two Kinds of Ambiguous Speech Stimuli.Bruno H. Repp - 1981 - Bulletin of the Psychonomic Society 18 (1):12-14.