That fat animals are bad breeders was well known to the ancients; Aristotle insists upon it several times. S0009838800017511_inline2 is, as Dr. Hunt observes, an epithet of the willow in Homer, but the explanations he quotes from Hesychius do not look very satisfactory; the willow was thought to ‘lose its fruit’ because it was supposed never to produce seed at all. Hence S0009838800017511_inline3 means ‘barren willows,’ and so Cercidas means ‘barren fat,’ i.e., fat which prevents a man from breeding.

In this paper I analyze the rhetorical function of compositional neologisms in Cercidas’ versification, in order to provide a new semantical and/or syntactical explanation for single words that have not been correctly interpreted before. In particular I analyze the fragments 1.41–50 Lom., 2.25–7 Lom. and 60 Lom., focusing especially on the correct interpretation of τεθνακοχαλκίδης, συοπλουτοσύνη and μεταμελλοδύνη. At the end of the paper, final considerations on the rhetorical function of neologism in Cercidas’ text are offered.

Journal Name: Philologus Issue: Ahead of print.

Several ancient texts treat Diogenes’ life, or at least central aspects of it. The present article gives a survey of some of the most important passages dealing with the question for which purposes Diogenes was used in these texts: In the Sale of Diogenes and in Epistle 7 he serves as a Cynic role model. Cercidas venerates him in a funeral poem as a celestial dog, and Dion of Prusa uses him for a political statement. Furthermore, for Maximos of (...) Tyre Diogenes symbolizes the Golden Age, while Lucian depicts him as a deterrent philosopher whose teaching has no value for human life. For emperor Julian the Cynic finally is a true representative of the old pagan religion. Some biographical data are only preserved in the oriental tradition. They originate from Greek sources, i.e. they were part of the introductions to the philosophy of Aristotle which were read in the late antique universities like Athens or Alexandria. From this we may infer that the life and teaching of Diogenes itself was part of the late antique curricula, a fact, for which the Greek tradition gives no evidence. (shrink)

In hisLives of Eminent Philosophers Diogenes Laertius mentions, among the various traditions of how Diogenes the Cynic met his end, the belief that he committed suicide by retention of the breath. He cites as his authority for this the poet Cercidas of Megalopolis, who, between some fifty and a hundred years after the death of the Cynic, celebrated his ascent to heaven in the following verses.

Quomodo versus lyrici legendi sint, plerumque inter metricos constat, licet de origine singulorum versuum vel colorum dubia moveantur; at ne illud quidem confirmari potest in genere illo peculiari, quo multae strophae Pindari et Bacchylidis et nonnullae poétarum scenicorum compositae sunt. Quod in talibus versibus maxime conspicuum est, hoc est, quod metra τоû σоυ et διπλασíоυ γéνоυς; in eis coniunguntur vel coniungi videntur, ita, ut ambitus utriusque partis aut par aut non multum maior minorve sit. lam antiqui metrici parum compertum habebant, (...) qua ratione eiusmodi versus explicarent. Cum maior pars ceterorum versuum lyricorum etiam post Alexandri aetatem in usu essent et doctrina grammaticorum hanc quoque materiam complecteretur, pauca versuum illorum vestigia remanebant, postquam chori lyrici et dramatici conticuerunt. Habemus quidem Meliambos Cercidae eodem genere carmina pangere conati, quo clarissimi illi veteres, sed eos perlegentes statim sentimus artem intermortuam non ab isto Megalopolitano nova vita donatam esse; nihil enim frigidius cogitari potest, quam si quis oda pindarica recitata ad Cercidae versus se convertat eosque alta voce pronuntiare conetur. Metrici graeci et romani praeter paucos versus eosque singillatim genus nostrum non tractant nee quisquam ex eorum numero de genere toto disseruit. Horatium et suamet ipsum arte prae ceteris excellentem et doctrina metrica haud mediocriter imbutum non aliter ac nos huius aevi philologos nescire, quomodo carmina pindarica ab ipso poeta componerentur, ex Oda notissima patet, in qua Pindarum quisquis studet aemulari frustra in re desperata desudare perhibetur. Ad universam lyricorum graecorum artem pertinent, quae a Cicerone in Oratore affirmantur, qui tamen clausulis orationis numerosae operam dans rem metricam non neglexit: sed in versibus res est apertior, quamquam etiam a modis quibusdam cantu remoto soluta esse videatur oratio, maximeque id in optima quoque eorum poëtarum, qui λυρικоí a graecis nominantur, quos, cum cantu spoliaveris, nuda paene remanet oratio. Causam hanc vel maximam esse puto in nullo alio carmina pangendi genere musicam, saltationem, metrum tam arte cohaesisse; cum poësis non iam pars habebatur υθμιξου, quod φθγγοδ, σχμα, συλλαβ definiebant, ut Aristoxeni terminis utar , via stabilita ambitum singulorum versuum ac colorum statuere conarentur et indoloem pedum metricorum conicendo indicarent. (shrink)