4 found
Order:
  1.  8
    Present in Body or Just in Mind: Differences in Social Presence and Emotion Regulation in Live vs. Virtual Singing Experiences.Daisy Fancourt & Andrew Steptoe - 2019 - Frontiers in Psychology 10.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  2.  17
    Low-stress and high-stress singing have contrasting effects on glucocorticoid response.Daisy Fancourt, Lisa Aufegger & Aaron Williamon - 2015 - Frontiers in Psychology 6.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   5 citations  
  3.  4
    Socioeconomic and Psychosocial Adversities Experienced by Freelancers Working in the UK Cultural Sector During the COVID-19 Pandemic: A Qualitative Study.Tom May, Katey Warran, Alexandra Burton & Daisy Fancourt - 2022 - Frontiers in Psychology 12.
    There are concerns that the socioeconomic consequences of COVID-19, including unemployment and financial insecurity, are having adverse effects on the mental wellbeing of the population. One group particularly vulnerable to socioeconomic adversity during this period are those employed freelance within the cultural industry. Many workers in the sector were already subject to income instability, erratic work schedules and a lack of economic security before the pandemic, and it is possible that COVID-19 may exacerbate pre-existing economic precarity. Through interviews with 20 (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  4.  9
    Predictors and Impact of Arts Engagement During the COVID-19 Pandemic: Analyses of Data From 19,384 Adults in the COVID-19 Social Study. [REVIEW]Hei Wan Mak, Meg Fluharty & Daisy Fancourt - 2021 - Frontiers in Psychology 12.
    ObjectivesThe global COVID-19 pandemic in 2020 heavily affected the arts and creative industries due to the instigation of lockdown measures in the United Kingdom and closure of venues. However, it also provided new opportunities for arts and cultural engagement through virtual activities and streamed performances. Yet it remains unclear who was likely to engage with the arts at home during lockdown, how this engagement differed from patterns of arts engagement prior to COVID-19, and whether home-based arts engagement was related to (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark