Introduction. The technical art of cinematography is traditionally regarded as a synthetic unity of scientific and technological progress and creativity. The possibility of unlimited copying of movie plots makes it possible to extend the authority of cinema to broad areas of public attention and forms a mass man. At the same time, the fact that cinema is, first of all, an experiment with time, organized by technical means, remains behind the scenes. The purpose of the study. If the core issues (...) of humanity are centered on the problem of life and death, on the problem of mastering and overcoming time, then cinema clearly shows that humanity has a ready-made embodied model of its desire. Methods. The authors use a phenomenological method that allows one to see the temporal fabric behind the “opaque body” of cinema. The eidetic reduction to the foundations of the constructed film plot temporal reality is complemented by the structuralist method of analyzing technical devices and technological methods of the film industry. Scientific novelty of the research. The ontology of the technical art of cinema goes beyond rationality and pragmatics. By launching a special kind of experiment with time, cinema technologies allow the viewer to be present in the bifurcation moments of temporal metamorphoses that connect different temporal modes. The temporal fabric is subject to the plot logic. Results. In cinema, time is constructed by technical means. The nature of this construction allows us to see the layered structure of time, the intersections of time flows, influxes, reverse time orders and stops in time. The cinema technique clearly shows that time barriers are conditional. Conclusions. Cinema dissolves any empirical density, creating gaps in it and transitions to other worlds. The connection between the worlds is carried out by constructed time. Time is taken out of objects and, obeying the course of the narrative, expands the reality of the world. (shrink)

Introduction. The universality of modern technol- ogy testifies to a certain mode of its existence. It manifests itself in the fact that there is practically not a single segment of the modern world, not a single sphere of culture where technology has not spread its influence - direct or indirect / anony- mous. On the basis of the study, the authors come to the conclusion that technology is both a tradition and a logic built into the tradition, and the realiza- (...) tion of a special existential orientation, an embodi- ment of a special kind. The purpose of the study is to reveal whether its essence is connected only with the pragmatic func- tion of technology, or whether there is a special symbolic beginning in technology, which takes technology beyond the scope of rational use. Methods. The authors apply the structuralist method that makes it possible to reveal structures behind the everyday understanding of technology that can generate semantic layers. The structuralist method is complemented by the phenomenological method, since the identified structures constitute the symbolic foundations of technical reality. The phenomenological method makes it possible to reveal the “hidden care” of a person, the target reason for the existence of technology. Scientific novelty of the research. The article reveals the deep meaning of the target cause of the technique. The technical is aimed at overcom- ing natural barriers, creating artificial natures, with its own special logic of existence. The material properties of things allow the permeability and conditionality of all qualitative obstacles. Quantita- tive homogeneity, the permeability of all qualities makes the boundaries between the types of living things conditional. There is no line of demarca- tion not only within life (the theory of evolution is based on this), but also between the living and the non-living. It is possible that there is no boundary between the temporal and the immortal. Results. The desire of mankind to overcome time is embodied in the being of technology. Mankind strives to conquer nature, to overcome all the bar- riers that the natural world continues to put up, in order to bypass natural laws to enter the realm of absolute freedom, which connects with immortal- ity. The created technical things themselves have certain laws for implementing a technical idea and limit technical creativity, but the meaning of technical creation is to overcome any restrictions. Man is a technician, because he is the self-willed transformer of the world. There is a revolutionary charge in technology that changes the world to hu- man request. The technique embodies the struggle of a desperate being with the rejection of his fate, his mortal fate. Conclusions. Despite the fact that science positions itself as rational, sober knowledge, nevertheless, the old dream of overcoming the barrier of death has not gone away. At the present stage, technol- ogy is trying to realize this dream through imple- menting safety, comfort, quality medical care, and an increase in life expectancy. Everything technical is centered on the problem of “life and death”. (shrink)

Introduction. The 2020 viral pandemic put humanity in a forced isolation environment. This crisis situation provoked the total inclusion of technology in the modern dialogue at different levels of connections and relationships. This phenomenon does not only demonstrate the enormous importance of technology in the modern world, but also raises the question of the essence of such a “mandatory” dialogue partner. The aim of the study is to raise a question about ontological essence of technology, formulating a hypothesis about the (...) involvement of the “technical” in the symbolic world. The authors use the phenomenological approach that makes it possible to see behind an array of diverse human experience interacting with the “technical” — the anonymity of the essence of technology. The usual attitude to engineering and technology as a tool that performs certain initially laid down tasks is unsatisfactory, since the importance of technology in modern civilization is much wider. In addition, the authors use the analytical approach that makes it possible to see behind scientific theories and facts a certain “logic of behavior” of science and technology aimed at overcoming the nature of things. Symbolic technology passes all natural and cultural boundaries. (shrink)

Introduction. The article analyzes the paradox of modern philosophy and worldview, in which the stated “death of God”, “death of man”, “of author”, “of nature” does not cancel their obvious existence, but in other modes. Topos and functions of classical concepts that define human nature are replaced by objects of information technology activity. The author believes that the technical phenomenon penetrates into modern living processes and partly replaces them. The idea of death and crisis of the transcendental, divine, human and (...) natural is accompanied by their replacement by technical processes, their specific “revival”. In this regard, human nature itself undergoes certain semantic and material transformations due to necessity. The work describes and analyzes these transformations. The purpose of the work is a specific analysis of human nature in modern scientific and technical doctrine. The author proves that the loss of his ontological status by a person, the reduction of a person to the level of things or biological principles lead to strengthening the foundations of biopower, biopolitics and other forms and methods of influencing a person against his free will in the world. Methods. The author uses critical analysis of philosophical theses and ideological statements. The work uses hermeneutic, phenomenological humanitarian techniques and procedures, as well as the method of comparative analysis and historical reconstruction of scientific facts. Scientific novelty. The scientific novelty of the work consists in an attempt to turn the science about man to its foundations, namely, to the foundation of a free, choosing and born in a natural context personality. The novelty of scientific achievements, progressive technologies, technical inventions and new social dispositions does not negate the question of the human nature essence, which is still new and relevant at the present time. (shrink)

The work is devoted to the philosophy of mastery presented in the tales of the Ural writer Pavel Petrovich Bazhov. The basis of the phenomenon of mastery is the classical philosophy of Plato in its Socratic version. The authors of the article see it as their goal to prove the close relationship between the practical handicraft Ural art, represented in the mythology and literature of P.P. Bazhov, and the classical metaphysical attitudes of European philosophy. The personality of the master becomes (...) a cementing link between the natural world and the world of culture. Mastery in its philosophical and practical form acts as a support for the natural attitude towards nature, art, and towards man in general. The authors decipher the phenomenon of mastery in the tales of P.P. Bazhov, analyze his modes and the specifics of manifestation. Ural tales of P.P. Bazhov in describing the phenomena of mastery and genuine creative attitude to nature repeat the structure of the classical attitude to the world and logically correspond to the structure of the creative attitude of the master poet to the object he creates. The specificity of the Ural artcraftsmanship lies in the fact that the personality of the master is embodied not in an ideologist, not in a religious preacher, not in an intellectual, but in a master who interacts with the elements of nature as concretely and closely as possible. The work immerses P.P. Bazhov’s legends, written during the Soviet period of Russian history, in the global context of research into the nature of genuine living creativity, and also emphasizes the regional and very special specific aspect in the Ural mastery. (shrink)