This paper sets Scott’s original film Blade Runner (1982) and Villeneuve’s Blade Runner 2049 (2017) in a ‘disjunctive synthesis’ in order to provide critical analyses of both films with respect to some complex configurations of the body along two axes: bio-politics and the spectacle. We offer a reading of these configurations by focusing on the relationships between the human (organic), the non-human (android) and the immaterial (holographic); the eye (optics), the hand (haptics), and aesthetics; slavery, instrumental labour and free-play; the (...) politics of bodies and of memories; the potentialities of revolution and the transmission of ‘tradition of the oppressed’. In this, we foreground two seemingly marginal characters – J. F. Sebastian and Ana Stelline. These ‘little people’ embody and inhabit the convolutions of Blade Runner’s ‘more human than human’ world through ‘free use’ of the body and playfulness which, superficially innocent, nevertheless bear within them the promise of radical political change. (shrink)

This book explores the thought of - and is dedicated to - David Frisby, as one of the leading sociologists of the late twentieth and early twenty-first centuries. Presenting original examinations of his unique social theory and underlining his interdisciplinary approach to the critical interpretation of modern metropolitan society and culture, it emphasises Frisby's legacy in highlighting the role of the social researcher as a collector, reader, observer, detective and archivist of the phenomena and ideas that exemplify the modern metropolis (...) as society. With contributions from sociologists, historians of the city, urban geographers, cultural theorists, architectural historians, architectural theorists and urban designers, The Detective of Modernity constitutes a wide-ranging engagement with Frisby's profound legacy in social and cultural theory. (shrink)

Cet essai a été traduit de l'anglais par Antonella Di Trani et Olivier Agard et publié pour la première fois dans le journal Germanica/66 2020, pp. 85 à 100. Je remercie les éditeurs d'avoir permis sa nouvelle publication ici. Graeme Gilloch – Lancaster University. Cet article est une contribution au regain d'intérêt tant attendu pour les travaux de Siegfried Kracauer, mais aussi pour des textes relatifs à la Théorie critique largement négligés, et qui se sont surtout focalisés sur l'autoritarisme, - (...) Études germaniques. (shrink)