"Like Hanslick, Professor Payzant is both musician and philosopher; and he has brought the knowledge and insights of both disciplines to this large undertaking." --Gordon Epperson, _Journal of Aesthetics and Art Criticism_.

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Eduard Hanslick (1825-1904) regte in seinem Buch Vom Musikalischen-Schonen (1854) die musikasthetische Diskussion des 19. Jahrhunderts entscheidend an. Sein Musikjournalismus brachte ihm den Titel Bismark der Musikkritik (G. Verdi) ein. Gewiss war er der wichtigste Musikschriftsteller seiner Zeit. Vielen Musikliebhabern ist er aber nur als Anfuhrer der Anti-Wagner-Partei im Bewusstsein. Ein Blick auf seine Schriften zwingt zur Revision dieses Bildes, das vor allem von den Neudeutschen gepragt wurde. Seine etwa 1500 Aufsatze und Rezensionen, von denen er nur etwa die Halfte, (...) zumeist stark bearbeitet, in Sammelbanden herausgab, portratieren scharfzungig und witzig sechzig Jahre Musikleben. (shrink)

Reproduktion des Originals: Vom Musikalisch-Schönen von Eduard Hanslick.