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Katherine O'Brien O'Keeffe [7]Katherine O'keeffe [5]
  1.  23
    Orality and the Developing Text of Caedmon's Hymn.Katherine O'Brien O'Keeffe - 1987 - Speculum 62 (1):1-20.
    The modern editorial practice of printing Old English poetry one verse to a line with a distinct separation between half-lines distracts attention from a well-known and important fact, that Old English poetry is copied without exception in long lines across the writing space. Normal scribal practice does not distinguish verses, reserving capitals and points for major divisions of a work. In manuscripts of Latin poetry, however, quite another practice holds. Latin verses copied in England after the eighth century are regularly (...)
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  2. Douglas Moffat, ed. and trans., The Old English “Soul and Body.” Woodbridge, Suffolk; and Wolfeboro, NH: Boydell and Brewer, 1990. Pp. viii, 103; 2 diagrams. $73. [REVIEW]Katherine O'Brien O'Keeffe - 1992 - Speculum 67 (4):1012-1013.
     
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  3. John Miles Foley, Immanent Art: From Structure to Meaning in Traditional Oral Epic. Bloomington and Indianapolis: Indiana University Press, 1991. Pp. xvii, 279. $39.95. [REVIEW]Katherine O'Brien O'Keeffe - 1994 - Speculum 69 (2):468-470.
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  4. M. J. Swanton, trans., The Anglo-Saxon Chronicle. London: J. M. Dent, 1996. Pp. xxxvi, 364 plus 18 black-and-white plates; black-and-white frontispiece, black-and-white figures, maps, and genealogical tables. £20. [REVIEW]Katherine O'Brien O'Keeffe - 1998 - Speculum 73 (3):905-907.
     
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  5.  19
    Scott G. Bruce, Silence and Sign Language in Medieval Monasticism: The Cluniac Tradition, c. 900–1200. Cambridge, Eng., and New York: Cambridge University Press, 2007. Pp. xiv, 209; 5 tables and 1 map. $95. [REVIEW]Katherine O'Brien O'Keeffe - 2009 - Speculum 84 (3):676-677.
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